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Приказ резултата 61-70 од 225
Kivy and Langer on expressiveness in music / Kivi i Langerova o ekspresivnosti muzike
(Музикологија / Musicology, 2013)
From 1980 onwards, Peter Kivy has put forward that music does not so much express emotions but rather is expressive of emotions. The character of the music does not represent the character or mood of the composer, but ...
The anthologion Athos Lavra E-108: A Greek-Slavonic liturgical manuscript / Antologija Atos Lavra E-108 grčko-slovenski liturgijski rukopis
(Музикологија / Musicology, 2011)
The codex Athos Lavra E-108 is a musical liturgical manuscript from the end of the 14th century. The change of the liturgical rite in the course of the 13th century was an important impulse for the development of the ...
Back to the Future: Popular Music and Time (18th Biennial IASPM Conference in Campinas, 2015)
(New Sound: International Magazine for Music (47/1), 2016)
Cмеховое начало в белорусской песенной культуре как один из способов отражения картины мира / The principle of laughter in Byelorussian vocal culture as a form of reflection on images of the world
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
В статье рассматриваются способы организации музыкального материала
в белорусской смеховой песне, координация, взаимодействие различных художественных
сфер в смеховой песенной форме. Вербальное, музыкальное,
кинетическое, ...
Музицирање и музичари у кафанама у Београду од почетка емитовања програма Радио Београда до Другог светског рата / Musical Performances and Musicians In Belgrade Taverns from the beginning of Radio Belgrade Broadcasting until World War Two
(Нови Сад : Матица српска, 2013)
О музичком животу у градским срединама у Србији постоји невелик број научних текстова. Сама градска народна музика, као што је типично за жанрове који би се могли сврстати у категорију популарне музике, углавном није била ...
Strategies of Applied Ethnomusicology for Betterment of Cultural Representations: Case Study of Concert ‘Traditional Music of Multicultural Belgrade‘
(Istanbul : Istanbul Technical University Turk Musikisi Devlet Konservatuari Mudurluk Binasi, 2011)
Audiovisual Ethnomusicology: Report
(Ljubljana : International Council for Traditional Music, 2016)
Les modèles économiques du genre de la comédie musicale en Serbie et en France depuis 2005 / Ekonomski modeli i žanr muzičke komedije u Srbiji i Francuskoj od 2005. godine
(Музикологија / Musicology, 2013)
Le genre de la comédie musicale - ou musical en terminologie anglo-saxonne - représente un sujet d'actualité de la vie théâtrale serbe et française. La dernière décennie a donné un nouveau élan au genre, mais c'est notamment ...
From Myth to Territory: Vuk Karadžić, Kosovo Epics and the Role of Nineteenth-Century Intellectuals in Establishing National Narratives
(Budapest : Institute of History, Research Centre for the Humanities, Hungarian Academy of Sciences, 2016)
In this article, we argue that the nineteenth-century Serbian scholars had a pivotal role in establishing Kosovo as the crucial subject of Serbian literature, culture, and politics. By revisiting the formation of the Kosovo ...
Past Music, Future Music: Technology and Music Institutions in the 20th Century
(Belgrade : Department of Musicology, Faculty of Music, 2016)
In his text "Technology and the Composer" Pierre Boulez writes about new technologies that emerged in the 20th century, primarily created for the purposes of music recording and reproduction, but also established as means ...