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The reception of Soviet music in the West: A history of sympathy and misunderstandings / Recepcija sovjetske muzike na Zapadu - istorija simpatija i nesporazuma
(Музикологија / Musicology, 2012)
In this concise survey, the evolution of Western attitudes to Soviet music is retraced: from a certain interest in the early Soviet avant-garde, through ‘Cold War’ attempts to keep alive the works banned under Stalin, to ...
Magic numbers in the music of Sofia Gubaidulina / Magični brojevi u muzici Sofije Gubajduline
(Музикологија / Musicology, 2002)
Sofia Gubaidulina's compositions are characterized by a special kind of symbolism and constructivism both based on numbers, i.e. mathematical proportions. In almost all her works so-called numerical plots can be detected. ...
Даворин Јенко и Стеван Ст. Мокрањац. Биографски фрагменти. Прилог култури сећања / Davorin Jenko and Stevan St. Mokranjac. Biographical Fragments. A Contribution to Cultural Rememberance
(Београд : Музиколошки институт Српске академије наука и уметности, 2014)
Рад је писан као прилог обележавању стогодишњице од смрти двојице значајних
композитора и диригената – Даворина Јенка (1835–1914) и Стевана Ст. Мокрањца (1856–1914). Конципиран у неколико фрагмената, рад преиспитује ...
Institute of Musicology, Serbian Academy of Sciences and Arts (1948-2010) / Muzikološki institut Srpske akademije nauka i umetnosti (1948-2010)
(Музикологија / Musicology, 2010)
The article gives an overview of the early days of the Institute, then proceeds to explain the development of the research projects, the further education of research members of the Institute and finally the results of the ...
Black Swans and Many Worlds: Contemporary models in music, the arts and ideas / Crni labudovi i Višestruki svetovi - savremeni modeli u muzici, umetnosti i idejama
(Музикологија / Musicology, 2013)
Black Swans and Many Worlds are new models to help explain musical structures, and by extension, events in the social environment and in internal human experience. Many Worlds takes its departure point from quantum physics, ...
Musikerbriefe als Spiegel überregionaler Kulturbeziehungen in Mittel - und Osteuropa / Pisma muzičara kao ogledalo nadregionalnih kulturnih veza u srednjoj i istočnoj Evropi
(Музикологија / Musicology, 2002)
Traditionell ist die Musikgeschichtsschreibung nicht nur in Deutschland, sondern auch im östlichen Europa sehr stark nationalen Kriterien verpflichtet, und Musik wird vor allem als Nationalkultur verstanden. Dem gegenüber ...
The word and music of epic song: From syncretism to sung poetry / Reč i muzika epske pesme - od sinkretizma do pevane poezije
(Музикологија / Musicology, 2013)
This study concerns the relationship between verbal and musical components of Serbian epic songs with rhythm seen as a morphological dominant. My aim is to enrich the musicological inquiry of this issue and provide a ...
The stages of modernism in Serbian music / Etape modernizma u srpskoj muzici
(Музикологија / Musicology, 2006)
In order to consider this topic, it was first necessary to discuss certain problems of terminology and periodisation relating to musical modernism in general. It is already familiar the extent to which the terms "new music", ...
Audio collection in the SASA Institute of Musicology / Fono zbirka Muzikološkog instituta SANU
(Музикологија / Musicology, 2010)
The paper is relating to audio collection of the Institute of Musicology SASA as extremely important part of this institution's fund. The collection comprises of valuable sound materials, especially significant collections ...
The maiden and death: A comparative reading of the homonymous compositions of Nikos Skalkottas and Antiochos Evangelatos as narrations of Greek tradition / Devojka i smrt - komparativno čitanje istoimenih kompozicija Nikosa Skalkotasa i Antiohosa Evangelatosa kao naracija grčke tradicije
(Музикологија / Musicology, 2004)
Nikos Skalkottas’s (1904-1949) first ballet score, The Maiden and Death, was written in 1938. It is one of his most important tonal works, its plot being derived from a well-known folk-poem with the same title. Antiochos ...