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Die Anwesenheit des abwesenden schmerzlich zu machen... / Prisustvo odsutnog učiniti bolnim...
(Музикологија / Musicology, 2003)
Adriana Hölzskys Bühnenwerk Tragödie - unsichtbarer Raum (1997), das kennt keine Handlung, keinen Gesang unf keine Bühnenfiguren, kann als ein radikales Experiment, eine eigenartige Metaoper bezeichnet werden. Anstelle der ...
Zora D. by Isidora Žebeljan: Towards the new opera / Zora D. Isidore Žebeljan - put ka novoj operi
(Музикологија / Musicology, 2004)
Opera Zora D., composed by Isidora Žebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. It is also the first Serbian opera that has ...
Contribution of Ljubica and Danica Janković to Establishment of Ethnochoreology in Serbia as an Academic Scholarly Discipline / Допринос Љубице и Данице Јанковић установљењу етнокореологије у Србији као академске научне дисциплине
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
The Janković sisters are pioneers of ethnochoreological research in Serbia. Their
scholarly methodology is based on intenisve feld research and their development
of a unique system of dance notation, which enabled them ...
Innere Emigration und Diktatur die getarnten Botschaften in den Opern der meister aus bojana von Konstantin Iliev und der gefesselte Prometeus von Lazar Nikolov / Unutrašnja emigracija i diktatura - 'Majstor iz Bojane' Konstantina Ilijeva i 'Okovani Prometej' Lazara Nikolova
(Музикологија / Musicology, 2004)
Die Frage der "inneren Emigration" in den ehemaligen kommunistischen Ländern Europas wird an Beispielen zweier Opern der wichtigen bulgarischen Komponisten Konstantin Iliev und Lazar Nikolov untersucht. Ähnlich wie Paul ...
Modern oder Postmodern? Traditionalismus, Avantgarde oder Postavangarde? / Moderno ili postmoderno? Tradicionalizam, avangarda ili postavangarda?
(Музикологија / Musicology, 2006)
Mittelpunkt des Aufsatzes sind einige methodologische Probleme bei der Betrachtung der Kunst, bzw. Musik an der Schwelle der zwei Jahrhunderten. Anhang einiger Besonderheiten im Kompositionsverfahren von vier wichtigen ...
Italian musicians in Greece during the Nineteenth Century / Italijanski muzičari u Grčkoj u 19. veku
(Музикологија / Musicology, 2003)
In Greece, the monophonic chant of the Orthodox church and its neumatic notation have been transmitted as a popular tradition up to the first decades of the 20th century. The transformation of Greek musical tradition to a ...
Acoustic vessels as an expression of medieval music tradition in Serbian sacred architecture / Акустички судови као израз музичке традиција српске средњовековне архитектуре
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
Archaeoacoustics is a multidisciplinary field of research focused on the history
of the relatedness of the field of sound and architecture. The architectural history
of Europe, from Antiquity to the modern period, is ...
The work of the couple Brailowsky in the mirror of Serbian critiques / Delo Brailovskih i srpska međuratna scena u ogledalu kritike
(Музикологија / Musicology, 2003)
Leonid (1867-1937) and Rimma (1877-1959) Brailowsky brought to Belgrade National theatre (together with other Russian emigrated stage and costume designers) the spirit of the World of Art (Mir Iskusstva), making décor and ...
The mysterious Misirlou / Tajnovita Misirlu - varijante jedne internacionalne melodije mediteranskog porekla u popularnoj muzici XX veka
(Музикологија / Musicology, 2013)
My article deals with an unusual story on the roots of a song that has left a significant imprint on the twentieth century popular music all over the world. It is the song Misirlou, created somewhere on the territory of ...
Ethnomusicologists researching towns they live in: Theoretical and methodological queries for a renewed discipline / Etnomuzikolozi istražuju gradove u kojima žive - teorijska i metodološka pitanja za obnovljenu disciplinu
(Музикологија / Musicology, 2009)
This article focuses on theoretical and methodological implications of the 20th-century epistemic turn in the humanities towards a more self-critical and politicized approach to the production of knowledge in academia. It ...