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The work of the couple Brailowsky in the mirror of Serbian critiques / Delo Brailovskih i srpska međuratna scena u ogledalu kritike
(Музикологија / Musicology, 2003)
Leonid (1867-1937) and Rimma (1877-1959) Brailowsky brought to Belgrade National theatre (together with other Russian emigrated stage and costume designers) the spirit of the World of Art (Mir Iskusstva), making décor and ...
Ethnomusicologists researching towns they live in: Theoretical and methodological queries for a renewed discipline / Etnomuzikolozi istražuju gradove u kojima žive - teorijska i metodološka pitanja za obnovljenu disciplinu
(Музикологија / Musicology, 2009)
This article focuses on theoretical and methodological implications of the 20th-century epistemic turn in the humanities towards a more self-critical and politicized approach to the production of knowledge in academia. It ...
Reflections on music and identity in Ethnomusicology / Razmatranja o muzici i identitetu u časopisu Etnomuzikologija
(Музикологија / Musicology, 2007)
The relationship between music and identity became a commonplace theme in ethnomusicology beginning in the early 1980s. This article surveys all 17 articles published in the journal Ethnomusicology in the last 25 years ...
La conception en tant que transmission: L'antiquité grecque selon Albert Roussel / Koncepcija kao transmisija - grčka antika prema Alberu Ruselu
(Музикологија / Musicology, 2008)
L'antiquité grecque occupe dans la production musicale française du début du XXe siècle une place importante. Le recours aux sujets grecs - qui se manifeste déjà depuis la seconde moitié du XIXe siècle - constitue un ...
On the orthodox church melos: A contribution to the typology of church chant / O napevu u pravoslavnom crkvenom pojanju - prilog tipologiji crkvenih napeva
(Музикологија / Musicology, 2003)
Many unresolved questions related to post-Byzantine church chanting present obstacles to understanding some aspects of church music since the 19th century. One of those problems concerns the need for strict definitions of ...
Olivier Messiaen's quartet for the end of time, secret of form: Movement VI / Mesijanov kvartet za svršetak vremena, tajna forme - VI stav
(Музикологија / Musicology, 2005)
Knowing that Messiaen's early period, especially The Quartet for the End of Time, got so many written comments and discussions and from renowned critics, musicologists and composers it is hard to believe that anything ...
Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role / Starija srpska muzička kritika - kanon, postupak, prosvetiteljska tendencija
(Музикологија / Musicology, 2008)
Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine ...
Communion songs not regulated by the typicon in the recent tradition of Serbian church singing / Tipikom nepropisane pričasne pesme u novijoj tradiciji srpskog crkvenog pojanja
(Музикологија / Musicology, 2004)
In notated collections of Serbian church hymns from the 19th and 20th century there are, among others, communion songs with texts that were not regulated by the Typicon. These so-called "arbitrary communion songs" have ...
Von der synoptischen zur analytischen neumatischen Notation Am Beispiel des Sticherons von Germanos Neon Patron / Od stenografske do analitičke neumske notacije na primeru Stihirara Germana, episkopa Nove Patre
(Музикологија / Musicology, 2007)
Die Abwesenheit eines einheitlichen Schlussels in der Dechiffrage der sogenannten 'alten' neumatischen Intonation (vor der letzten Reform anfangs des neunzehnten Jarhunderts) ist in erster Linie durch ihre Natur selbst ...
Influences of Ancient Greek spirit on music romanticism as exemplifies in Richard Wagner's Gesamtkunstwerk / Uticaji antičkog Grčkog duha na muziku romantizma na primeru Vagnerovog Gesamtkunstwerk-a
(Музикологија / Musicology, 2005)
The romantics' ideal of the arts' collaboration (Mischgedichte) finds its most substantial equivalent in Richard Wagner's (1813-1883) "total work of art" (Gesamtkunstwerk). This theory for the restoration of the 'lost' ...