TY  - CHAP
AU  - Medić, Ivana
PY  - 2019
UR  - https://dais.sanu.ac.rs/123456789/14294
AB  - In this article I focus on the remarkable music videos of Jarboli – one of the most
influential alternative rock bands from Belgrade, Serbia, who have been active
since the early 1990s. I argue that, in their total oeuvre, music video is an art
form equal to other creative outlets that the band members and their closest associates
have dabbled in throughout their careers (including: playing instruments,
composing and/or producing music, writing poetry and novels, producing and
directing short films, drawing, painting, making collages and presenting off-beat
radio shows). I analyze four music videos that illustrate the band’s development
from a quirky indie attraction to the most accomplished musicians of their generation,
but also document and provide witty and insightful commentaries on the
changes that Serbian society has gone through during the past two decades.
PB  - Wiesbaden : Springer
T2  - Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017
T1  - Rock music videos in Serbia since the 1990s: The curious case of Jarboli
SP  - 215
EP  - 224
DO  - 10.1007/978-3-658-25253-3_20
UR  - https://hdl.handle.net/21.15107/rcub_dais_14294
ER  - 

@inbook{
author = "Medić, Ivana",
year = "2019",
abstract = "In this article I focus on the remarkable music videos of Jarboli – one of the most
influential alternative rock bands from Belgrade, Serbia, who have been active
since the early 1990s. I argue that, in their total oeuvre, music video is an art
form equal to other creative outlets that the band members and their closest associates
have dabbled in throughout their careers (including: playing instruments,
composing and/or producing music, writing poetry and novels, producing and
directing short films, drawing, painting, making collages and presenting off-beat
radio shows). I analyze four music videos that illustrate the band’s development
from a quirky indie attraction to the most accomplished musicians of their generation,
but also document and provide witty and insightful commentaries on the
changes that Serbian society has gone through during the past two decades.",
publisher = "Wiesbaden : Springer",
journal = "Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017",
booktitle = "Rock music videos in Serbia since the 1990s: The curious case of Jarboli",
pages = "215-224",
doi = "10.1007/978-3-658-25253-3_20",
url = "https://hdl.handle.net/21.15107/rcub_dais_14294"
}

Medić, I.. (2019). Rock music videos in Serbia since the 1990s: The curious case of Jarboli. in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017
Wiesbaden : Springer., 215-224.
https://doi.org/10.1007/978-3-658-25253-3_20
https://hdl.handle.net/21.15107/rcub_dais_14294

Medić I. Rock music videos in Serbia since the 1990s: The curious case of Jarboli. in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017. 2019;:215-224.
doi:10.1007/978-3-658-25253-3_20
https://hdl.handle.net/21.15107/rcub_dais_14294 .

Medić, Ivana, "Rock music videos in Serbia since the 1990s: The curious case of Jarboli" in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017 (2019):215-224,
https://doi.org/10.1007/978-3-658-25253-3_20 .,
https://hdl.handle.net/21.15107/rcub_dais_14294 .

TY  - CHAP
AU  - Dumnić Vilotijević, Marija
PY  - 2019
UR  - https://dais.sanu.ac.rs/123456789/14293
AB  - This paper deals with urban folk music in Serbia (whilst considering its roots in
pre-World War II Yugoslavia). During its history this music was influenced by
cultural practices from the (Ottoman) East and from the West (from Austro-
Hungarian to contemporary global pop), combined with local semi-rural lyrical
repertoire. Urban folk music is regarded as specific traditional Balkan popular
music. Urban folk music before World War II was a starting point for the later
segregation of popular folk genres – “newly-composed folk” and “old urban”
music. The first one was nominally progressive, designed for wider audience,
based on rural music motifs but modernized by instruments (from accordions to
an electric band). The second one was developed around the 1970s as a response
to this phenomenon, and it was purposely regressive, evoking pre-World War II
urban folk music by a particular repertoire and acoustic performance. Ever since
they appeared, they have had a dynamic relation on popular music market. Their
quality opposition is important, based not only on the attitudes about “authentic”
folk music, but also on the use of influences from the West. According to the
results of archival work and interviews with authors of “old urban music”, this
paper explores traces of global popular music, their implications on aesthetic
debates and characteristics of popular folk music in Serbia.
PB  - Wiesbaden : Springer
T2  - Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017
T1  - Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century
SP  - 39
EP  - 50
DO  - 10.1007/978-3-658-25253-3_4
UR  - https://hdl.handle.net/21.15107/rcub_dais_14293
ER  - 

@inbook{
author = "Dumnić Vilotijević, Marija",
year = "2019",
abstract = "This paper deals with urban folk music in Serbia (whilst considering its roots in
pre-World War II Yugoslavia). During its history this music was influenced by
cultural practices from the (Ottoman) East and from the West (from Austro-
Hungarian to contemporary global pop), combined with local semi-rural lyrical
repertoire. Urban folk music is regarded as specific traditional Balkan popular
music. Urban folk music before World War II was a starting point for the later
segregation of popular folk genres – “newly-composed folk” and “old urban”
music. The first one was nominally progressive, designed for wider audience,
based on rural music motifs but modernized by instruments (from accordions to
an electric band). The second one was developed around the 1970s as a response
to this phenomenon, and it was purposely regressive, evoking pre-World War II
urban folk music by a particular repertoire and acoustic performance. Ever since
they appeared, they have had a dynamic relation on popular music market. Their
quality opposition is important, based not only on the attitudes about “authentic”
folk music, but also on the use of influences from the West. According to the
results of archival work and interviews with authors of “old urban music”, this
paper explores traces of global popular music, their implications on aesthetic
debates and characteristics of popular folk music in Serbia.",
publisher = "Wiesbaden : Springer",
journal = "Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017",
booktitle = "Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century",
pages = "39-50",
doi = "10.1007/978-3-658-25253-3_4",
url = "https://hdl.handle.net/21.15107/rcub_dais_14293"
}

Dumnić Vilotijević, M.. (2019). Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century. in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017
Wiesbaden : Springer., 39-50.
https://doi.org/10.1007/978-3-658-25253-3_4
https://hdl.handle.net/21.15107/rcub_dais_14293

Dumnić Vilotijević M. Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century. in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017. 2019;:39-50.
doi:10.1007/978-3-658-25253-3_4
https://hdl.handle.net/21.15107/rcub_dais_14293 .

Dumnić Vilotijević, Marija, "Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century" in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017 (2019):39-50,
https://doi.org/10.1007/978-3-658-25253-3_4 .,
https://hdl.handle.net/21.15107/rcub_dais_14293 .