Rock music videos in Serbia since the 1990s: The curious case of Jarboli
Само за регистроване кориснике
2019
Поглавље у монографији (Објављена верзија)
,
Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2019
Метаподаци
Приказ свих података о документуАпстракт
In this article I focus on the remarkable music videos of Jarboli – one of the most
influential alternative rock bands from Belgrade, Serbia, who have been active
since the early 1990s. I argue that, in their total oeuvre, music video is an art
form equal to other creative outlets that the band members and their closest associates
have dabbled in throughout their careers (including: playing instruments,
composing and/or producing music, writing poetry and novels, producing and
directing short films, drawing, painting, making collages and presenting off-beat
radio shows). I analyze four music videos that illustrate the band’s development
from a quirky indie attraction to the most accomplished musicians of their generation,
but also document and provide witty and insightful commentaries on the
changes that Serbian society has gone through during the past two decades.
Кључне речи:
Jarboli / music video / alternative rock / the 1990sИзвор:
Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017, 2019, 215-224Издавач:
- Wiesbaden : Springer
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
- City Sonic Ecology: Urban Soundscapes of Bern, Ljubljana and Belgrade
Повезане информације:
- Повезани садржај
https://data.snf.ch/grants/grant/152260
DOI: 10.1007/978-3-658-25253-3_20
ISBN: 978-3-658-25252-6
ISSN: 2570-0367; 2570-0383
[ Google Scholar ]Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Medić, Ivana PY - 2019 UR - https://dais.sanu.ac.rs/123456789/14294 AB - In this article I focus on the remarkable music videos of Jarboli – one of the most influential alternative rock bands from Belgrade, Serbia, who have been active since the early 1990s. I argue that, in their total oeuvre, music video is an art form equal to other creative outlets that the band members and their closest associates have dabbled in throughout their careers (including: playing instruments, composing and/or producing music, writing poetry and novels, producing and directing short films, drawing, painting, making collages and presenting off-beat radio shows). I analyze four music videos that illustrate the band’s development from a quirky indie attraction to the most accomplished musicians of their generation, but also document and provide witty and insightful commentaries on the changes that Serbian society has gone through during the past two decades. PB - Wiesbaden : Springer T2 - Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017 T1 - Rock music videos in Serbia since the 1990s: The curious case of Jarboli SP - 215 EP - 224 DO - 10.1007/978-3-658-25253-3_20 UR - https://hdl.handle.net/21.15107/rcub_dais_14294 ER -
@inbook{ author = "Medić, Ivana", year = "2019", abstract = "In this article I focus on the remarkable music videos of Jarboli – one of the most influential alternative rock bands from Belgrade, Serbia, who have been active since the early 1990s. I argue that, in their total oeuvre, music video is an art form equal to other creative outlets that the band members and their closest associates have dabbled in throughout their careers (including: playing instruments, composing and/or producing music, writing poetry and novels, producing and directing short films, drawing, painting, making collages and presenting off-beat radio shows). I analyze four music videos that illustrate the band’s development from a quirky indie attraction to the most accomplished musicians of their generation, but also document and provide witty and insightful commentaries on the changes that Serbian society has gone through during the past two decades.", publisher = "Wiesbaden : Springer", journal = "Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017", booktitle = "Rock music videos in Serbia since the 1990s: The curious case of Jarboli", pages = "215-224", doi = "10.1007/978-3-658-25253-3_20", url = "https://hdl.handle.net/21.15107/rcub_dais_14294" }
Medić, I.. (2019). Rock music videos in Serbia since the 1990s: The curious case of Jarboli. in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017 Wiesbaden : Springer., 215-224. https://doi.org/10.1007/978-3-658-25253-3_20 https://hdl.handle.net/21.15107/rcub_dais_14294
Medić I. Rock music videos in Serbia since the 1990s: The curious case of Jarboli. in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017. 2019;:215-224. doi:10.1007/978-3-658-25253-3_20 https://hdl.handle.net/21.15107/rcub_dais_14294 .
Medić, Ivana, "Rock music videos in Serbia since the 1990s: The curious case of Jarboli" in Contemporary Popular Music Studies. Proceedings of the International Association for the Study of Popular Music 2017 (2019):215-224, https://doi.org/10.1007/978-3-658-25253-3_20 ., https://hdl.handle.net/21.15107/rcub_dais_14294 .