TY  - JOUR
AU  - Živković, Miloš
AU  - Milanović, Ljubomir
PY  - 2023
UR  - https://dais.sanu.ac.rs/123456789/16423
AB  - The paper discusses the iconographic program of the frescoes in the south parekklesion of the Church of the Virgin Eleousa at the Veljusa Monastery, the foundation of Manuel, Bishop of Strumitza, built in 1080. It focuses on the figure of St. Niphon or, more specifically, the cult and iconography of this saint, whose representations in art are quite uncommon. It considers several images of St. Niphon in Serbian medieval painting that previous research has failed to take into account. Then, it reexamines the view that this saint was the patron of the chapel, especially the claim that one of his visions was painted in the apse.
AB  - Већ више од шест деценија Црквa Богородице Елеусе у селу Вељуси код Струмице сматра се значајним остварењем византијског градитељства и монументалног живописа XI столећа. Ту цркву, заправо католикон манастира, саградили су, по свој прилици, цариградски мајстори 1080. године, а њен ктитор, који је сахрањен у припрати, био је „монах Манојло, који је постао епископ Тивериопоља“, како је наведено у мермерном натпису постављеном изнад западног улаза у храм. Поред веома особеног, тетраконхалног архитектонског склопа, посебну пажњу истраживача привукле су најстарије фреске цркве у Вељуси, које су, како се данас обично сматра, израђене између 1085. и 1093.
PB  - Београд : Византолошки институт САНУ
T2  - Зборник радова Византолошког института
T1  - Revisiting the Veljusa Frescoes: Notes on the Iconographic Program of the South Parekklesion
T1  - Преиспитивање фресака Вељусе: белешке о иконографском програму јужног параклиса
SP  - 1111
EP  - 1146
VL  - 60
IS  - 2
DO  - 10.2298/ZRVI2360111Z
UR  - https://hdl.handle.net/21.15107/rcub_dais_16423
ER  - 

@article{
author = "Živković, Miloš and Milanović, Ljubomir",
year = "2023",
abstract = "The paper discusses the iconographic program of the frescoes in the south parekklesion of the Church of the Virgin Eleousa at the Veljusa Monastery, the foundation of Manuel, Bishop of Strumitza, built in 1080. It focuses on the figure of St. Niphon or, more specifically, the cult and iconography of this saint, whose representations in art are quite uncommon. It considers several images of St. Niphon in Serbian medieval painting that previous research has failed to take into account. Then, it reexamines the view that this saint was the patron of the chapel, especially the claim that one of his visions was painted in the apse., Већ више од шест деценија Црквa Богородице Елеусе у селу Вељуси код Струмице сматра се значајним остварењем византијског градитељства и монументалног живописа XI столећа. Ту цркву, заправо католикон манастира, саградили су, по свој прилици, цариградски мајстори 1080. године, а њен ктитор, који је сахрањен у припрати, био је „монах Манојло, који је постао епископ Тивериопоља“, како је наведено у мермерном натпису постављеном изнад западног улаза у храм. Поред веома особеног, тетраконхалног архитектонског склопа, посебну пажњу истраживача привукле су најстарије фреске цркве у Вељуси, које су, како се данас обично сматра, израђене између 1085. и 1093.",
publisher = "Београд : Византолошки институт САНУ",
journal = "Зборник радова Византолошког института",
title = "Revisiting the Veljusa Frescoes: Notes on the Iconographic Program of the South Parekklesion, Преиспитивање фресака Вељусе: белешке о иконографском програму јужног параклиса",
pages = "1111-1146",
volume = "60",
number = "2",
doi = "10.2298/ZRVI2360111Z",
url = "https://hdl.handle.net/21.15107/rcub_dais_16423"
}

Živković, M.,& Milanović, L.. (2023). Revisiting the Veljusa Frescoes: Notes on the Iconographic Program of the South Parekklesion. in Зборник радова Византолошког института
Београд : Византолошки институт САНУ., 60(2), 1111-1146.
https://doi.org/10.2298/ZRVI2360111Z
https://hdl.handle.net/21.15107/rcub_dais_16423

Živković M, Milanović L. Revisiting the Veljusa Frescoes: Notes on the Iconographic Program of the South Parekklesion. in Зборник радова Византолошког института. 2023;60(2):1111-1146.
doi:10.2298/ZRVI2360111Z
https://hdl.handle.net/21.15107/rcub_dais_16423 .

Živković, Miloš, Milanović, Ljubomir, "Revisiting the Veljusa Frescoes: Notes on the Iconographic Program of the South Parekklesion" in Зборник радова Византолошког института, 60, no. 2 (2023):1111-1146,
https://doi.org/10.2298/ZRVI2360111Z .,
https://hdl.handle.net/21.15107/rcub_dais_16423 .

TY  - JOUR
AU  - Živković, Miloš
PY  - 2022
UR  - https://dais.sanu.ac.rs/123456789/13742
AB  - The paper deals with the figures of warrior saints in the nave of the Church of St. Panteleimon
in Nerezi. Within this group of saints, in addition to the most famous, easily recognizable
ones, there are also those warriors on the identity of which scholars have expressed
different opinions. Based on the iconographic analysis, the depictions of the saints in question
are identified in the article. The figures of some military saints in Nerezi are also analyzed in
the broader context of their representation in the art of the Byzantine cultural sphere. In addition
to the above, attention is paid to the specific way of grouping the Nerezi warriors, as well
as to two different iconographic models of depicting its members.
PB  - Београд : Византолошки институт САНУ
T2  - Зборник радова Византолошког института
T1  - Warrior saints at Nerezi – the selection of figures and other remarks on their iconography
SP  - 211
EP  - 249
VL  - 59
DO  - 10.2298/ZRVI2259211Z
UR  - https://hdl.handle.net/21.15107/rcub_dais_13742
ER  - 

@article{
author = "Živković, Miloš",
year = "2022",
abstract = "The paper deals with the figures of warrior saints in the nave of the Church of St. Panteleimon
in Nerezi. Within this group of saints, in addition to the most famous, easily recognizable
ones, there are also those warriors on the identity of which scholars have expressed
different opinions. Based on the iconographic analysis, the depictions of the saints in question
are identified in the article. The figures of some military saints in Nerezi are also analyzed in
the broader context of their representation in the art of the Byzantine cultural sphere. In addition
to the above, attention is paid to the specific way of grouping the Nerezi warriors, as well
as to two different iconographic models of depicting its members.",
publisher = "Београд : Византолошки институт САНУ",
journal = "Зборник радова Византолошког института",
title = "Warrior saints at Nerezi – the selection of figures and other remarks on their iconography",
pages = "211-249",
volume = "59",
doi = "10.2298/ZRVI2259211Z",
url = "https://hdl.handle.net/21.15107/rcub_dais_13742"
}

Živković, M.. (2022). Warrior saints at Nerezi – the selection of figures and other remarks on their iconography. in Зборник радова Византолошког института
Београд : Византолошки институт САНУ., 59, 211-249.
https://doi.org/10.2298/ZRVI2259211Z
https://hdl.handle.net/21.15107/rcub_dais_13742

Živković M. Warrior saints at Nerezi – the selection of figures and other remarks on their iconography. in Зборник радова Византолошког института. 2022;59:211-249.
doi:10.2298/ZRVI2259211Z
https://hdl.handle.net/21.15107/rcub_dais_13742 .

Živković, Miloš, "Warrior saints at Nerezi – the selection of figures and other remarks on their iconography" in Зборник радова Византолошког института, 59 (2022):211-249,
https://doi.org/10.2298/ZRVI2259211Z .,
https://hdl.handle.net/21.15107/rcub_dais_13742 .