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The reception of west European music in Belgrade between world wars: On the examples of 'Muzički glasnik' and 'Muzika' magazines / Recepcija zapadnoevropske muzike u međuratnom Beogradu - primer časopisa Muzički glasnik i Muzika
(Музикологија / Musicology, 2011)
The very first music magazines started in Belgrade between World Wars were 'Muzički glasnik' (issued monthly from January to December 1922) and 'Muzika' (also issued monthly in the period January 1928 - March 1929). These ...
Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz
(Belgrade : Department of Musicology, Faculty of Music, 2017)
This article deals with a work by a contemporary Serbian composer Miroslav
Miša
Savić
(b.
1954):
St. Lazarus Waltz
for one or two grand pianos, with or without
children’s
toy
pianos.
Since
St.
Lazarus
is
...
Организација музичких параметара у Трећем гудачком квартету Јосипа Славенског
(Београд : Факултет музичке уметности, 2016)
Von der synoptischen zur analytischen neumatischen Notation Am Beispiel des Sticherons von Germanos Neon Patron / Od stenografske do analitičke neumske notacije na primeru Stihirara Germana, episkopa Nove Patre
(Музикологија / Musicology, 2007)
Die Abwesenheit eines einheitlichen Schlussels in der Dechiffrage der sogenannten 'alten' neumatischen Intonation (vor der letzten Reform anfangs des neunzehnten Jarhunderts) ist in erster Linie durch ihre Natur selbst ...
Ideology of the Opera Diva in the Case of the Opera of the National Theatre in Belgrade
(Beograd : Univerzitet Singidunum (Fakultet za medije i komunikacije)Belgrade : Faculty of Media and Communications, Singidunum University, 2016)
The theme of this work refers to the study of opera’s diva system or the way in
which an opera diva can affect (or not) the development of repertory theater. The idea is that
through a variety of approaches – musicology, ...
Special melodic formulas in the Psalm cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries / Posebne melodijske formule u psalamskom ciklusu bdenja u ruskim rukopisima od XVI do XVIII veka
(Музикологија / Musicology, 2011)
This paper discusses the melodic formulas of psalmodic cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries. It shows that some special formulas are used in the melos of the psalmody, along with the ...
Influences of Ancient Greek spirit on music romanticism as exemplifies in Richard Wagner's Gesamtkunstwerk / Uticaji antičkog Grčkog duha na muziku romantizma na primeru Vagnerovog Gesamtkunstwerk-a
(Музикологија / Musicology, 2005)
The romantics' ideal of the arts' collaboration (Mischgedichte) finds its most substantial equivalent in Richard Wagner's (1813-1883) "total work of art" (Gesamtkunstwerk). This theory for the restoration of the 'lost' ...
Symbolism and theatre of masques: The deathly carnival of la belle époque / Simbolizam i teatar maski - smrtonosni karneval kraja veka
(Музикологија / Musicology, 2005)
The junction of the nineteenth and twentieth centuries in Europe sharpened the clash of artistic novelties in the Western and Slavonic worlds, caused by developed Symbolism and Expressionism. As an output of the former ...
The Russian musical emigration in Yugoslavia after 1917 / Ruska muzička emigracija u Jugoslaviji posle 1917. godine
(Музикологија / Musicology, 2003)
Around forty thousand Russian emigrants settled in Yugoslavia running away from the terror of the 1917 Revolution. A high percentage of them were writers, artists, musicians and ballet dancers. Their greatest contribution ...
Project ‘Digitization and Catalogization of Phonoarchive of the Institute of Musicology SASA’: Experiences and Perspectives
(Belgrade : Faculty of Mathematics, 2010)
This paper discusses results of the project “Digitization and Cataloging of Phonoarchive of Institute of Musicology SASA”, and related to that, significance of collection for further ethnomusicological and musicological research.