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Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant / Rumunsko i grčko-tursko-persijsko-arapsko nasleđe - osobenosti rumunskog crkvenog pojanja
(Музикологија / Musicology, 2011)
Romanian cantors, clergymen and musicologists debated the problem of a national church chant from the late 19th century onwards. Amongst other things, they tried to define the specific traits of Romanian chant, to place ...
Towards vita democratica: Urban Soundscapes and the Ruptures of Subjectivity
(Bucureşti : Editura Universităţii din Bucureşti, 2015)
When speaking of democracy, the language of Jacques Rancière becomes strangely physical. “Real democracy“, states Rancière in his paper delivered in 1986, “would presuppose that the demos be constituted as a subject present ...
The creation of folk music program on Radio Belgrade before World War Two: Editorial policies and performing ensembles / Kreiranje narodne muzike na programu Radio Beograda do Drugog svetskog rata - uredničke politike i izvođački ansambli
(Музикологија / Musicology, 2013)
This paper deals with the establishing of the organizing models, on one side, and with folk music and its aesthetic characteristics in the interwar period, on the other. This problem significantly contributed to the present ...
Концертна музика савремених српских композитора
(Београд : Музиколошки институт САНУ, 2018)
The Impossible Avant-garde of Vladan Radovanović / Nemogoča avantgarda Vladana Radovanovića
(Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani, 2019)
The term nesuđena avangarda (“undestined avant-garde”) was coined by Milorad Belančić to describe Vladan Radovanović’s unique artistic destiny. Although Radovanović was the only truly avant-garde Serbian composer in the ...
Cultural isolation of Yugoslavia 1944–1960 and its impact on the sphere of music: the case of Serbia / Kulturna izolacija Jugoslavije med letoma 1944 in 1960 ter njen vpliv na področje glasbe: primer Srbije
(Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani, 2015)
In the decades after the end of WW2 and the establishment of the communist regime in Yugoslavia, cultural isolation affected Serbia in more or less the same way as the other five federal republics. This article examines ...
Марксизам и друштвенополитички ангажман у српској музичкој периодици између два светска рата / Marxism and Sociopolitical Engagement In Serbian Musical Periodicals between the Two World Wars
(Београд : Институт за филозофију и друштвену теорију, 2013)
Корпус међуратне српске музичке периодике обухвата седам часописа. Присуство марксизма и одговарајућег друштвенополитичког ангажмана уочава се у „Музици“ (1928–1929), „Звуку“ (1932–1936), „Музичком гласнику“ (1938–1941) и ...
On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević / Na sledi sledilcem in sopotnikom modernizma Béle Bartóka: Josip Slavenski in Marko Tajčević
(Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani, 2016)
The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, ...
Stevan Stojanović Mokranjac and the inventing of tradition: a case study of the Song ‘Cvekje Cafnalo’ / Stevan Stojanović Mokranjac in iznajdevanje tradicije: vzorčna študija pesmi "Cvekje cafnalo"
(Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani, 2010)
The main aim of this article is to examine Stevan Stojanović Mokranjac’s role in the processes of inventing the artistic tradition of Serbian music of modern times. By following the route of the chosen analytical sample, ...
Socialism or Art: Yugoslav Mass Song and Its Institutionalizations
(Belgrade : Faculty of Media and Communications, Singidunum University, 2013)
The genre of the mass song is one of the fundamental phenomena in aesthetics and practice of socialist realism. Mass songs are supposed not only to be accessible to the lay audience, but also to be composed in a way that ...