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The Live Album or the Many Ways of Representing Performance
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
The analysis of live albums can clarify the dialectic between studio recordings and
live performances. After discussing key concepts such as authenticity, space, time
and place, and documentation, the author gives a ...
Performing Sound of the Past: Remix in Electronic Dance Music Culture / Извођење звука прошлости: ремикс у култури електронске музике за игру
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
The term remix, defined as an activity of taking data from pre-existing materials
to combine them into new forms according to personal taste, relates to various
elements and areas of contemporary culture. Whichever model ...
The Collage-Shaped Worlds of Gustav Mahler's Rückert Symphonies
(Belgrade : Department of Musicology, Faculty of Music, 2014)
The main goal of this paper was to reveal the very beginnings of collage technique in Western art. Musical materials taking place in the scherzo movements of Gustav Mahler’s Fifth, Sixth and Seventh Symphony are arranged ...
The Quantum Vibes of Atoms and Ichthyosaurs / Квантне вибрације атома и ихтиосауруса
(Belgrade : Institute of Musicology. Serbian Academy of Sciences and Arts, 2018)
The quantum mechanical description of microscopic phenomena treats minuscule particles as waves and explains why atoms and molecules absorb and emit radiation at particular frequencies. Tis article reviews the physical ...
Kroz homoljske kapije
(World Music asocijacija Srbije, Jagodina, 2016)
O статусу музике и музичких инструмената у арапској култури после објаве ислама / On the Staus of Music and Musical Instruments in Arabic Cultures after the Advent of Islam
(Београд : Музиколошки институт Српске академије наука и уметности, 2014)
Када се у арапским медијима појави вест да се у једној исламској земљи у
одређеном друштвено-религијском контексту не гледа са одобравањем на
свирање музичких инструмената, реактуелизује се питање статуса музике у
исламу. ...
Reception of Stevan Stojanović Mokranjac’s composing creativity in the musical life of Bosnia and Herzegovina: Austro-Hungarian period / Рецепција стваралаштва Стевана Стојановића Мокрањца у музичком животу Босне и Херцеговине: аустроугарски период
(Београд : Музиколошки институт Српске академије наука и уметности, 2014)
With the arrival of the Austro-Hungarian Monarchy, Bosnia and Herzegovina encountered Western European social trends, which affected the shaping of musical
life physiognomy in the late nineteenth and early twentieth ...
Diverging from an Established Greek Musical Nationalism: Aspects of Modernism in the Works of Dimitri Mitropoulos, Nikos Skalkottas, Dimitrios Levidis and Harilaos Perpessas, During the 1920s and 30s / Отклон од грчког музичког национализма: аспекти модернизма у делима Димитриса Митропулоса, Никоса Скалкотаса, Димитриоса Левидиса и Харилаоса Перпесаса током 20-их и 30-их година
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2012)
The presence of many young talented composers outside Greece, studying in
prominent European music centres during the 1920s and 30s, set them free from the ideological
compulsions of Greek musical nationalism prevailing ...
America is another world: Conversation with composer Nataša Bogojević / Amerika je drugi svet - razgovor sa kompozitorkom Natašom Bogojević
(Muzički talas, 2015)
In this conversation, in an extensive and interesting manner, Nataša Bogojević describes contemporary music scene in America, especially in Chicago, where she lives and works. In the first part of the conversation the ...
Competitions as a form of public gusle playing performance / Takmičenja kao oblik javne guslarske prakse
(Музикологија / Musicology, 2011)
This paper offers an ethnomusicological perspective on competitions of guslars (players of a single-stringed musical instrument gusle predominantly used to accompany the voice of a singer reciting epic poetry), here ...