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Певање уз гусле и музичка индустрија: гусларска извођења на првим грамофонским плочамa (1908−1931/2) / Singing Wiht Gusle Accompaniment and the Music Industry: The First Gramophone Records of Gusle Players' Performances (1908−1931/2)
(Београд : Музиколошки институт Српске академије наука и уметности, 2016)
Полазећи од корпуса грамофонских плоча на 78 обртаја у минути са снимцима гусларских извођења, које су настале у периоду између краја прве (1908)
и почетка четврте деценије двадесетог века (1931/32), ауторке указују на ...
The Inscription of the Feminine Body in the Field of Sound: Vocal Expression as a Platform of Feminine Writing (écriture féminine) / Упис женског тела у поље звука: глас као оруђе женског писма
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2015)
This paper brings together several theoretical issues relevant both to the felds of
musicology/ethnomusicology and feminist/gender studies – above all, the issue
of the status of the voice within the complexity of a ...
Early Ukrainian-Belarusian-Polish Traditional Melo-Massif: Interethnic Wedding Macro-Areas / Украјинско-белоруско-пољски мело-масив старе традиције: мултиетнички свадбени макроареали
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2015)
Through rhythm-typological analysis and cartography the author has detected a
similarity in the typological structure of early traditional musical forms belonging to
agricultural and wedding genres on the territory which ...
Catherine II’s The Early Reign of Oleg: Sarti, Canobbio and Pashkevich Working Towards an Ideal / Рана владавина Олега Катарине II: Сарти, Канобио и Пашкевич у стремљењу ка идеалу
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2016)
This paper focuses on Catherine II’s The Early Reign of Oleg (1790) as a demonstrative
performance of the sovereign’s policy. In the context of Catherine’s early
nationalistic pride and her ‘Greek project’, the performance ...
Vladimir R. Đorđević’s Contribution to Serbian Musical Folkloristics / Допринос Владимира Р. Ђорђевића српској музичкој фолклористици
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Vladimir R. Đorđević (1869–1938), one of the pioneers of Serbian ethnomusicology,
achieved outstanding results in various fields; his work is based on Serbian musical folklore. Several dozen of his publications belong to ...
Creativity and Ownership: Protection of Rights in Musical Works in the European Union From Digitisation to Artificial Intelligence / Креативност и власништво: правна заштита музичких дела у Европској унији од дигитализације до вештачке интелигенције
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Even more than intelligence, creativity is considered as a quintessentially human
capacity. The same conclusion is fully applicable to the artistic creation in music
sector. However, rapid technological development is ...
A Sick Genius? The Critical Reception of Alexei Stanchinsky / Болесни геније? Критичка рецепција Алексеја Станчињског
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
This article examines the critical reception of the Russian composer Alexei Stanchinsky (1888–1914). It focuses on the critical reviews published in Russian newspapers and musical periodicals during Stanchinsky’s lifetime. ...
William Byrd and the Limits of Formal Music Analysis / Вилијам Берд и ограничења формалне анализе музике
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Writing in 1962, Joseph Kerman was the first to speculate about potentially
subversive political meanings in the Cantiones sacrae of the English Renaissance
composer William Byrd, his two collections of motets published ...
Radio Art in Musicology: Challenges and Possible Methodologies / Радиофонска уметност у музикологији: изазови и могуће методологије
(Belgrade : Institute of Musicology SASA, 2021)
The topic of this paper is the challenges and possible methodologies for a musicologist dealing with radio art. As an experimental audio form at the intersection of music, sound art, poetry and drama, radio art was only ...
Srđan Teparić, Resemantization of Tonality in the First Half of the 20th Century (1917–1945), Belgrade, Faculty of Music, 2020.
(Belgrade : Department of Musicology, Faculty of Music, 2020)