Претраживање
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Beyond Nations: A Thematic History / Изван нација: једна тематска историја
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2019)
This paper describes an on-going project, the collaborative Thematic History of
Music in Portugal and Brazil; it details its context, rationale, concept, structure
and the process that led to its public presentation and ...
A National Perspective and International Threads to Postmodernism at the Fifth Hellenic Week of Contemporary Music / Национална перспектива и интернационалне нити постмодернизма на Петој грчкој недељи савремене музике
(Београд : Музиколошки институт САНУ, 2019)
The Fifth Hellenic Week of Contemporary Music (Athens, 1976) has been mainly considered in the context of a major political event: the fall of the military dictatorship in 1974. However, it may also be seen as a landmark ...
Music Hall: Regulations and Behaviour in a British Cultural Institution / Мјузик-хол: прописи и понашање у британској културној институцији
(Београд : Музиколошки институт САНУ, 2019)
The music hall in late nineteenth-century Britain offers an example of a cultural institution in which legal measures, in-house regulations, and unscripted codes of behaviour all come into play. At times, the performers ...
Композитор револуције: Скрјабинова замисао Мистеријума – тоталног уметничког дела / Composer of the Revolution: Scriabin’s idea of the Mysterium – the total work of art
(Београд : Музиколошки институт САНУ, 2019)
Предмет истраживања постављен у овом раду је неостварени пројекат тоталног уметничког дела – Мистеријум Александра Николајевича Скрјабина, посматран као директан производ друштвене климе у Русији у периоду пре револуције ...
Phenomenon of the Baltic Singing Revolution in 1987–1991: Three Latvian Songs as Historical Symbols of Non-Violent Resistance / Феномен балтичке певане револуције 1987–1991: три летонске песме као историјски симболи ненасилног отпора
(Београд : Музиколошки институт САНУ, 2019)
The denomination singing revolution (coined by Estonian artist Heinz Valk, b. 1936) is commonly used for events in Baltic States between 1987 and 1991 that led to the restoration of the independence of Estonia, Latvia and ...
Ontological Hermeneutics as a Catalyst of Musicological Discourse: A Few Sketches / Онтолошка херменеутика као катализатор музиколошког дискурса: неколико скица
(Београд : Музиколошки институт САНУ, 2019)
From the invention of language, the phenomenon of Greek hermēneía to biblical exegesis, interpretation is one of the crucial paradigms of culture and civilization. Joined with general ontology, hermeneutics offers original ...
On the Future of Music History in Professional and Central-Peripheral European Musical Circumstances / О будућности историје музике у професионалном и централнопериферном европском музичком окружењу
(Београд : Музиколошки институт САНУ, 2019)
In considering the chosen topic, I proceed from the complex relationship between music history, music historiography and musicology, focusing on musicology as an interdisciplinary branch of music history. I consider the ...
Историја музике и промишљање историзма: cећање на Карла Далхауса и Лија Трајтлера / Music History and the Historicist Imagination: Revisiting Carl Dahlhaus and Leo Treitler
(Београд : Музиколошки институт САНУ, 2019)
This text offers a discussion and reappraisal of the historical impact of the Prussian historical school in general and of historicism in particular, epitomised in the works of Leopold von Ranke and Johann Gustav Droysen, ...
Theories on Socialist Realism and Socialist Music Culture in the 1960s in Hungary / Теорије о социјалистичком реализму и социјалистичкој музичкој култури у Мађарској шездесетих година ХХ века
(Београд : Музиколошки институт САНУ, 2019)
In the 1960s, the quantity of publications on aesthetics of music significantly increased in Hungary. The variability of the subjects, the approaches and the opinions are result of an explicit ideological reordering based ...
Post-factual Music Historiography: Legends of Art–Religion / Постчињенична историографија музике: легенде о уметности–религији
(Београд : Музиколошки институт САНУ, 2019)
In many of its areas, the writing of music history in Germany is characterised by the Romantic music outlook and its “Two-World-Model”: the real world is seen as opposing the ideal world of music as a higher existence of ...