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Prikaz rezultata 11-20 od 39
On Missed Opportunities: The International Review of Composers in Belgrade and the “Postsocialist Condition”
(Belgrade : Institute of Musicology SASA, 2020)
In this article we observe the history of the International Review of Composers in Belgrade, the most enduring annual festival of contemporary art music in Serbia, founded in 1992. We have borrowed the syntagm ‘postsocialist ...
Друштвена улога салонске музике у животу и систему вредности српског грађанства у 19. веку / The Social Role of the Salon Music in the Life and the Value System of the Serbian Citizens in the 19 Century
(Београд : Музиколошки институт Српске академије наука и уметности, 2014)
Истраживање српске салонске музике 19. века започето је радом на магистарској тези Игре и маршеви у српској клавирској музици 19. века. Културна повезаност у јавном и приватном животу. Игре и маршеви представљају парадигматичне ...
Integration and disintegration: Serbian monophony in a polyphonic context / Integracija i dezintegracija - srpski jednoglas u kontekstu višeglasa
(Музикологија / Musicology, 2011)
The venerable arguments concerning the validity of harmonized music in the Orthodox Church continue. Serbia is unique in that the codifiers of the monophonic repertoire (in particular Stankoviš and Mokranjac) were also the ...
Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins
(Hägersten : The International Association for the Study of Popular Music, 2020)
The subject of this article is the Center for Popular Music Research in Belgrade, Serbia, founded in 2013. More precisely, this paper deals with the context of the foundation of the Center on the “margins” of musicology, ...
Етномузиколошки приступи градској музици у Србији / Ethnomusicological approaches to urban folk music in Serbia
(Београд: Удружење фолклориста Србије, Универзитетска библиотека "Светозар Марковић"Лозница: Центар за културу "Вук Караџић"Тршић: Научно-образовно културни центар "Вук Караџић", 2021)
Етномузиколошка проучавања у Србији доминантно су усмерена на сеоску народну музику. Ипак, градска народна музика била је предмет теренских бележења, али и стручних критика у Србији, а пратећи глобалне дисциплинарне токове ...
Tradition and Youth: Music Heritage from Serbia
(Belgrade : Institute of Musicology SASA, 2020)
Annual concerts of cultural-artistic associations in Serbia: the clash of two different Concepts of professionalization
(Belgrade : Faculty of Music, 2016)
In this paper two concepts of professionalization are observed within a unique cultural context: the annual concept of the cultural-artistic society (KUD) in a small town in central Serbia. It is about the conception 1) ...
Identities expressed through practice of kaval playing and building in Serbia in 1990s
(Belgrade : SASA : Institute of Musicology of SASA, 2012)
This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and ...
Patterns of music taste as markers of sociocultural transformation in Serbia between the two world wars: The example of Jovan Frajt's music publications
(Belgrade : Faculty of Music, 2014)
The available printed scores form Jovan Frajt's collection, as well as the preserved fragments of his catalogue, are analysed thoroghly. The results of the analysis are explained in depth using the published statistical ...
Questioning the Possibility of Revitalising Traditional Rural Songs in Topola, Serbia
(Newcastle upon Tyne : Cambridge Scholars Press, 2010)
This chapter will explore the possibility of reviving the Serbian musical tradition in the city of Topola in Šumadija, Serbia’s central region. I will draw upon a singing workshop that I gave to, and that informed a field ...