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Radio Art as a Place of Freedom: Interview with Svetlana Maraš
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2022)
TikTok and Sound: Changing the ways of Creating, Promoting, Distributing and Listening to Music
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2022)
TikTok has become one of the fastest growing online empires in the last decade, and one of the most influential social media tools today. By centering the short-video format tailored for smartphone screens, this platform ...
Recycling Postmodernism. Trendsetters, trends and Pandora, Double Concerto for Viola, Cello and Orchestra (2022) by Lazar Đorđević / Permanentno kruženje postmodernizma. Trendovi, trendseteri i Pandora, dvostruki koncert za violu, violončelo i orkestar (2022) Lazara Đorđevića
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2022)
Pandora, a double concerto for viola, cello and chamber orchestra was written by Lazar Đorđević (b. 1992) as the final work for his DMus degree, and premiered on 2 February 2022 in Belgrade. Pandora draws many parallels ...
Ivana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
Book Review: Diedrich Diederichsen, Aesthetics of Pop Music, Cambridge: Polity Press, 2023.
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2023)