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Glas kao medij i „Objet petit a”: muzikološki upis u studije glasa / Voice as Medium and Objet petit a: Musicological Contribution to Voice Studies
(Бања Лука : Академија умјетности Универзитета у Бањој ЛуциБања Лука : Академија наука и умјетности Републике СрпскеБања Лука : Музиколошко друштво Републике Српске, 2020)
Interesovanje za izučavanje glasa je u porastu u proteklih nekoliko godina. Brojne naučne i teorijske discipline su se upustile u teoretizaciju i proučavanje pluraliteta glasa, čije je zvučno „bivanje između“ mesto višestrukog ...
Contemporary Musicology in a Neither/Nor State. Challenging the Status of Music(ologic)al Periphery
(Munchen : Allitera Verlag, 2021)
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative ...
Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies / Раскринкавање „потенцијално монолитног погледа на музикологију“: улога музикологије у студијама метал музике
(Belgrade : Institute of Musicology SASA, 2021)
It can be said that the academic scrutinization of metal music began with two substantial studies – Heavy Metal. The Music and its Culture (1991) by sociologist Deena Weinstein and Running with the Devil. Power, Gender, ...
Radio Art in Musicology: Challenges and Possible Methodologies / Радиофонска уметност у музикологији: изазови и могуће методологије
(Belgrade : Institute of Musicology SASA, 2021)
The topic of this paper is the challenges and possible methodologies for a musicologist dealing with radio art. As an experimental audio form at the intersection of music, sound art, poetry and drama, radio art was only ...
The Communication and Analogies between Music and Image: Dragutin Gostuški’s Theory of the Screen
(Belgrade : Department of Musicology, Faculty of Music, 2018)
In his doctoral dissertation (Vreme umetnosti, 1968), Dragutin Gostuški
argues that one of the most important missions for the contemporary theory of the arts
to partake in is to systematically examine matters through ...
Between East and West: Dragutin Gostuški’s musicological work
(Roma : Società Editrice di MusicologiaRoma : UniversItalia, 2019)
Dragutin Gostuški (1923-1998), a composer and an art historian by vocation, as well as a musicologist and a music critic by ambition, is one of the most prominent personalities in the Serbian and Yugoslav music scene in ...
Musicology in the context of media - media in the context of musicology
(Belgrade : Faculty of Music, 2020)
The main subject of this paper is the relationship between musicology and
the vast corpus of theoretical knowledge that could be recognized under the umbrella
term of media studies or media theory. Although some aspects ...
Overlapping Paradigms: Exploring the Notion of Performance from the Viewpoints of Musicology and Performance Studies
(Belgrade : Department of Musicology, Faculty of Music, 2020)
This paper focuses on the notions of performance, or, more precisely, the notion of studying performance in the fields of performance studies and musicology. Taking into account that different understandings of the ...
Позоришни сценарио versus партитура музичког дела
(Београд : Факултет музичке уметности, 2021)
Са намером да се преиспитају на први поглед једноставне логичне паралеле између музичке и позоришне уметности, у овом раду су размотрени проблеми који их прате. Да ли музикологија и театрологија деле разумевање појединих ...
Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies
(Newcastle upon Tyne : Cambridge Scholars Publishing, 2016)
Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musicologist Mirjana Veselinović Hofman, with focus on her concept of local avant-garde, compared to the concept of transculturality ...