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YouTube as a platform and a possibility for future multi-media archives
(Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts, Department of Fine Arts and Music Serbian Academy of Sciences and Arts, 2017)
Bearing in mind the impact of new media on the notion of the archive, which is in the state of transition and ‘moving towards the audio-visual’ (Ernst), this paper focuses on the new phenomenon of archives in virtual space. ...
Festival srpskog podzemlja: muzička scena „u malom“
(Beograd : Filozofski fakultet, Institut za etnologiju i antropologiju, 2018)
Festival srpskog podzemlja je manifestacija posvećena ekstremnim muzičkim žanrovima (metal, hardkor, pank i njihovi podžanrovi), koja se u poslednjih nekoliko godina održava u Beogradu. U ovom radu nastojaću da pokažem na ...
Intensifying the Monstrous: Extended Vocal Techniques in Extreme Metal Music
(2018)
Extended vocal techniques, such as scream and growl, are an important puzzle in the sonic
transgression picture of extreme metal music and other subgenres. The distorted sound result
produced by the usage of these ...
Glas i tijelo kao predmet istraživanja: pogled iz muzikologije / Voice and Body as the Subject of Research: A View from Musicology
(Split : Sveučilište u Splitu, Umjetnička akademija, 2018)
„Tote aber leben länger“. The Second Viennese School and its Place in the Reflections of Selected Composers from the Second Half of the Twentieth Century (Lutosławski, Ligeti, Lachenmann, Harvey) / „Tote aber leben länger“. Друга бечка школа и њено место у промишљањима одабраних композитора друге половине XX века (Лутославски, Лигети, Лахенман, Харви)
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The juxtaposition of classicism and actuality is a good description of the
ambiguous position occupied by the Second Viennese School not only in the
eyes of the scholars who research it, but also of composers who can be ...
On the Connection of Musico-rhetorical Strategies and Marian Topic/Topos in Renaissance Motets / О спрези музичко-реторичких стратегија и маријанске топике/топоса у ренесансним мотетима
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The text summarizes some of the research results from my doctoral dissertation.
In the broadest sense, the following text discusses the influence of rhetorical
concepts and practices on the composition practice of the ...
“Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania / „Извитоперење укуса људи“: Lăutari и балканско питање у Румунији
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
“’Perverting the Taste of the People’: Lăutari and the Balkan Question in Romania”
considers the term “Balkan” in the context of Romanian Romani music-
making. The expression can be used pejoratively to describe something ...
Vladimir R. Đorđević’s Contribution to the Transcription of Vocal Practices / Допринос Владимира Р. Ђорђевића транскрипцији вокалне праксе
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Serbian musicians who were collecting different forms of traditional music at the
end of the 19th and the beginning of the 20th century were unable to make audio
recordings of the collected material. This conditioned the ...
Vladimir R. Đorđević in the National Library of Serbia / Владимир Р. Ђорђевић у Народној библиотеци Србије
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
This article deals with the collection of documents belonging to Vladimir R.
Đorđević, which are kept at the National Library of Serbia. These documents are
divided in two separate personal funds – Vladimir’s letters to ...
Косово и Метохија: Музичка слика мултикултуралности 50-их и 60-их година XX века / Kosovo and Metohija: а Musical Image of Multiculturalism in the 1950s and 1960s. Уреднице: др Данка Лајић Михајловић и др Јелена Јовановић, дописни члан САНУ / Editors: Danka Lajić Mihajlović, PhD and Jelena Jovanović, PhD, corresponding member of SASA. Београд: Музиколошки институт САНУ / Belgrade: Institute of Musicology SASA, 2018. Едиција „Звучна ризница“ / Edition “Sound Treasury”
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
Звучно издање Косово и Метохија – Музичка слика мултикултуралности 50-их
и 60-их година XX века представља прву публикацију у оквиру едиције Звучна
ризница, базиране на јавном презентовању теренских снимака традиционалне
музике ...