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Trumpeting through the iron curtain: The breakthrough of jazz in socialist Yugoslavia / Trubom kroz gvozdenu zavesu - prodor džeza u socijalističku Jugoslaviju
(Музикологија / Musicology, 2012)
During the Cold War, jazz became a powerful propaganda weapon in the battle for ‘hearts and minds’. As early as the 1950s, the American administration began its Cold War ‘jazz campaign’, by broadcasting the popular jazz ...
Music as word: Film music: Superlibretto? / Muzika kao reč - filmska muzika - superlibretto?
(Музикологија / Musicology, 2013)
The aim of his paper is to prove that film music can be understood as authentic narrative force: film music as word / discourse and its superlibretto status. Superlibretto is the status of music in a film which is constructing ...
An enigmatic hymn for saint Petka-Paraskeva: The canon and its interpretation in the thematic replacement of chants / Zagonetna himna za sv. Petku-Paraskevu: Kanon i njegove interpretacije u tematskoj zameni napeva
(Музикологија / Musicology, 2011)
In MS Lavra E-10 / Z-58 from the 17th c. there is a sticheron ωdesnuju Spasa predsta devo in plagal second mode (sixth mode) for the service in honour of St. Petka-Paraskeva (14 October). Such a hymn cannot be found in ...
Integration and disintegration: Serbian monophony in a polyphonic context / Integracija i dezintegracija - srpski jednoglas u kontekstu višeglasa
(Музикологија / Musicology, 2011)
The venerable arguments concerning the validity of harmonized music in the Orthodox Church continue. Serbia is unique in that the codifiers of the monophonic repertoire (in particular Stankoviš and Mokranjac) were also the ...
Градска музика на Косову и Метохији у истраживањима српских етномузиколога током двадесетог века / Urban Music from Kosovo and Metohija in the Researches of Serbian Ethnomusicologists up to the Second Half of the Twentieth Century
(Београд : Етнографски институт САНУ, 2013)
Фолклорна музика Срба са Косова и Метохије сматра се архаичном у популарном дискурсу, што је са научне стране поткрепљено етномузиколошким нотним и звучним записима мелодија са тог простора, који су једни од првих извора ...
The Soundscape of Change: The Reculturalization of Savamala / Zvočna krajina spremembe: rekulturiziranje Savamale
(Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerzitete v Ljubljani, 2016)
In this article I analyze the reculturalization strategies implemented in Savamala, an urban quarter in central Belgrade. Recent years have witnessed many
efforts to rebrand Belgrade as a safe, modern, cosmopolitan and ...
Musical Performance as Storytelling: Memory, European Integration, and the Baltic Youth Philharmonic Оrchestra / Музичко извођаштво као приповедање: памћење, европске интеграције и Балтичка филхармонија младих
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
Storytelling has been theorized as a performative, narrative practice, but it has not been employed often as a trope in studies of musical performance. This article outlines a theoretical context for exploring the possibilities ...
Transmental Sheherazade on the interwar avant-garde balls in Belgrade and Paris / Zaumna Šeherezada - o beogradskim i pariskim (avangardnim) balovima između dva rata
(Музикологија / Musicology, 2013)
In expert circles, attention has been drawn to the '1002nd Night Ball' created by the protagonists of Yugoslav and Serbian avant-garde, in particular on its dance and musical segments, moreover, the ballet 'Le balai du ...
Nationalism studies and the spatial turn: The concept of national territory / Studije nacionalizma i zaokret ka prostoru - o konceptu nacionalne teritorije
(Kultura, 2014)
The modern 'spatial turn' in humanities and social sciences has launched an interest in problems of space related to the phenomenon of nationalism. The basic concept through which the spatial issues are being investigated ...
The Vienna New Year's Concert as a Media Phenomenon
(Belgrade : Department of Musicology, Faculty of Music, 2013)
This paper is aimed at drawing attention to the problem of the media representation
of artistic music, through the case study of the television broadcast of the New
Year’s Concert in Vienna. The text contains a brief ...