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Музицирање и музичари у кафанама у Београду од почетка емитовања програма Радио Београда до Другог светског рата / Musical Performances and Musicians In Belgrade Taverns from the beginning of Radio Belgrade Broadcasting until World War Two
(Нови Сад : Матица српска, 2013)
О музичком животу у градским срединама у Србији постоји невелик број научних текстова. Сама градска народна музика, као што је типично за жанрове који би се могли сврстати у категорију популарне музике, углавном није била ...
Can We Hear the Sounds of Quantum Superpositions? / Да ли је могуће чути квантну суперпозицију?
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
In this article I explore the possibility of being able to hear the sound of a quantum
superposition of two sounds. What would it mean and is it feasible to explore
performing an experiment that would allow us to test ...
Strategies of Applied Ethnomusicology for Betterment of Cultural Representations: Case Study of Concert ‘Traditional Music of Multicultural Belgrade‘
(Istanbul : Istanbul Technical University Turk Musikisi Devlet Konservatuari Mudurluk Binasi, 2011)
Audiovisual Ethnomusicology: Report
(Ljubljana : International Council for Traditional Music, 2016)
Les modèles économiques du genre de la comédie musicale en Serbie et en France depuis 2005 / Ekonomski modeli i žanr muzičke komedije u Srbiji i Francuskoj od 2005. godine
(Музикологија / Musicology, 2013)
Le genre de la comédie musicale - ou musical en terminologie anglo-saxonne - représente un sujet d'actualité de la vie théâtrale serbe et française. La dernière décennie a donné un nouveau élan au genre, mais c'est notamment ...
From Myth to Territory: Vuk Karadžić, Kosovo Epics and the Role of Nineteenth-Century Intellectuals in Establishing National Narratives
(Budapest : Institute of History, Research Centre for the Humanities, Hungarian Academy of Sciences, 2016)
In this article, we argue that the nineteenth-century Serbian scholars had a pivotal role in establishing Kosovo as the crucial subject of Serbian literature, culture, and politics. By revisiting the formation of the Kosovo ...
Musings on Quantum Music: Can Quantum Music Bring us Closer to Objective Beauty? / Размишљања о квантној музици: Да ли нас Kвантна музика може приближити објективној лепоти?
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
Quantum music is an idea to compose music based on a fundamental physical
theory, quantum theory. One of the underlying theses of the project is that by
merging a deep theory of physics with music one can provide a more ...
Past Music, Future Music: Technology and Music Institutions in the 20th Century
(Belgrade : Department of Musicology, Faculty of Music, 2016)
In his text "Technology and the Composer" Pierre Boulez writes about new technologies that emerged in the 20th century, primarily created for the purposes of music recording and reproduction, but also established as means ...
Trumpeting through the iron curtain: The breakthrough of jazz in socialist Yugoslavia / Trubom kroz gvozdenu zavesu - prodor džeza u socijalističku Jugoslaviju
(Музикологија / Musicology, 2012)
During the Cold War, jazz became a powerful propaganda weapon in the battle for ‘hearts and minds’. As early as the 1950s, the American administration began its Cold War ‘jazz campaign’, by broadcasting the popular jazz ...
Music as word: Film music: Superlibretto? / Muzika kao reč - filmska muzika - superlibretto?
(Музикологија / Musicology, 2013)
The aim of his paper is to prove that film music can be understood as authentic narrative force: film music as word / discourse and its superlibretto status. Superlibretto is the status of music in a film which is constructing ...