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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
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Наслови
A bilingual musical manuscript from the Department of old books of Matica srpska Library (a contribution to Serbian-Greek chanting connections)
[1]
A composer’s inner biography: A sketch for the study of influences in Ljubica Marić’s oeuvre
[1]
A Contribution to Researching Russian-Serbian Connections in Sacral and Court Painting and Architecture through the Opera of Russian Emigrants in Serbia between the World Wars: Examples of Adopting Russian Models
[1]
A Contribution to the Study of Music in Interwar Yugoslavia: Russian Emigrant Periodicals
[1]
A Contribution to the Study of the Romanija's Style of the Singing to the Accompaniment of the Gusle through the Prism of the Guslar Milovan Srdanović
[1]
A critical review of the most important sources on Dimitris Mitropoulos 1896-1960
[1]
A Critic’s Views by Slavko Osterc
[1]
A few Thesis on Moderate(d) Modernism and Tradition
[1]
A few Thesis on Moderated Modernism and Tradition
[1]
A Long Journey to the Future: On the Modalities of Preserving Tradition through Songs and Dances from the City of Vranje
[1]
A magyarországi délszlávok zenei hagyományai
[1]
A Mission of the Russian House in Belgrade : Cultural Policy and Music (1933-1941)
[1]
A Music History with Love? The Hits, the Cults, and the Snobs
[1]
A Musical Voyage down the Danube in the First Half of the Eighteenth Century – from Petrovaradin to Sremski Karlovci –
[1]
A National Perspective and International Threads to Postmodernism at the Fifth Hellenic Week of Contemporary Music
[1]
A New Interdisciplinary Approach to the Study of the Origins of Traditional Polyphony
[1]
A Non-alignment Story: History of Metal Music in Yugoslavia
[1]
A Peasant’s Interview with a Foreign Journalist by Predrag Milošević in Relation to the Question of Socialist Realism in Serbian Music History
[1]
A Russian Triodion Sticherarion From the Late 12th Century – MS Hilandar 307
[1]
A Sick Genius? The Critical Reception of Alexei Stanchinsky
[1]
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