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'The Music Herald' 1922: A esthetical and ideological aspects / 'Muzički glasnik' 1922 - estetički i ideološki aspekti
(Музикологија / Musicology, 2009)
The Music Herald was the first music magazine to appear in Belgrade after WWI. It was published monthly, for a year (January - December 1922). Its editor-in-chief was Petar Krstić, a composer. Other members of the editorial ...
Common scale features of the recent Greek and Serbian church chant traditions / Zajedničke lestvične osobenosti novije grčke i srpske crkveno-pojačke tradicije
(Музикологија / Musicology, 2008)
This paper is an attempt to show the similarity between the Serbian and Greek Post-Byzantine chanting traditions, especially those which relate to the scale organization of modes. Three teachers and reformers from ...
Mеђународна конференција „Бартокова орбита: контекст и сфера утицаја његовог дела“
(Београд : Музиколошки институт САНУ, 2006)
Познато је да музика у Мађарској има посебан статус: бригу о чувању богатог фолклорног и уметничког наслеђа систематично прате многобројне и разноврсне активности усмерене ка представљању мађарске музике у свету. На сличан ...
„Нова Европа и Нова музика, 1918–1941“, приказ музиколошког скупа одржаног у Брну (28. септембра до 2. октобра 2003. године)
(Београд : Музиколошки институт САНУ, 2004)
Брно, град богате културне и уметничке традиције, угледни универзитетски центар Средње Европе и музичка престоница Моравске, већ тридесетосам година за редом, захваљујући двема престижним манифестацијама - фестивалу Моравска ...
Music and collective identities / Kolektivni identiteti i muzika
(Музикологија / Musicology, 2007)
This paper presents some introductory observations on the ways in which the opposition between the modern and post-modern understanding of social identities can be overcome in the context of musicology. It is based on the ...
Searching for the right form: A self-taught village player recalling performance live / U potrazi za željenim oblikom - živo prisećanje samoukog seoskog svirača
(Музикологија / Musicology, 2008)
Repertoire of the excellent self-taught traditional dvojnice-player, Miladin Arsenijević, from the vicinity of Topola (central Serbia) consists of lyrical songs of a newer rural repertoire. During a 'cognitive interview', ...
The Ideology of Moderated Modernism in Serbian Music and Musicology / Идеологија умереног модернизма у српској музици и музикологији
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2007)
The term ‘moderated modernism’ has been current for quite some
time in Serbian music historiography, but there have been only a few attempts
to define it. I shall try to define the term, introduce some of its key ...
Music critic Gustav Michel / Muzički kritičar Gustav Mihel
(Музикологија / Musicology, 2004)
The writers whose real vocation was not music left significant traces in the history of Serbian music critics and essayism of the late 19th century and the first half of the 20th century. Numerous authors, literary historians ...
Balkans as a cultural symbol in the Serbian music of the first half of the twentieth century / Balkan kao simbol kulture u srpskoj muzici prve polovine XX veka
(Музикологија / Musicology, 2008)
Focus on the internalization of Western images in the Balkans has special significance in researching Serbian art. The functioning of Balkanism as it overlapped and intersected with Orientalism is indicated in the text by ...
Athens: New capital of traditional Greek music: Testimonies on musical life at the beginning of the twentieth century / Atina - nova prestonica tradicionalne grčke muzike - svedočanstva o muzičkom životu s početka XX veka
(Музикологија / Musicology, 2009)
During its long Byzantine and Post-Byzantine history Constantinople was the center for church art in general, but especially for music. This old city on the Bosporus maintained its prime position until the beginning of the ...