Претраживање
Приказ резултата 361-370 од 400
„Руски хор који Русија није чула“: Хор донских козака Сергеја Жарова на концертној сцени међуратног Београда / „А Russian Choir that Russia Had Never Heard Before“: The Don Cossack Choir Serge Jaroff on the Concert Stage in the Interwar Belgrade
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
After the October Revolution, the Russian tradition of spiritual and folk choral
singing was introduced to the whole world by the active work of choirs that
appeared in exile. The Don Cossack Choir Sergei Jaroff and the ...
Колико (не) знамо о руско-српским појачким везама / How Much We Do (Not) Know About Russian-Serbian Chanting Connections
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
There are still no argumentative answers about the extent to which and in what
way the share of Russian singing practice in Serbian church singing is present.
The ways in which the Serbian melody reached Russian singers ...
Reflections On a ‘Shop’ Melodic Model in Wedding and St George’s Day Songs from Eastern and Central Serbia / Одрази ’шопског’ mелодијског mодела у свадбеним и ђурђевданским песмама источне и централне Србије
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
This article examines a melodic model that characterizes Serbian ‘Shop’ musical
idiom both in eastern and central Serbia, where it was disseminated through
migrations from the ‘Shop’ cultural region to the west and ...
Dragutin Gostuški and the Semiotics of Music / Драгутин Гостушки и музичка семиотика
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The main goals of this article, devoted to the contribution of the prominent
Serbian musicologist, composer and aesthetician Dragutin Gostuški (1923–1998)
to the semiotics of music, are the following: 1) to show the ...
The Early Prague Spring: Analysing the Re-Establishment of Modernist Aspects According to the Example of Three Piano Concertos by the “Prague Group” of Composers / Рано прашко пролеће: анализа поновног успостављања модернистичких аспеката на примеру три клавирска концерта композитора „прашке групе“
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The interwar period brought about a number of modernist tendencies in the
heterogeneous cultural context of the Kingdom of Yugoslavia, which is particularly
salient in the works of the young composers belonging to the ...
Sonic Memory Interventions against Politics of Urban Silencing / Звук и сећање као интервенција против политика урбаног утишавања
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
We discuss the political implications of the noise/silence dialectic in order to
reflect on the urban and social materialities of sonic memory activism in the postYugoslav
space. We see the privatization of public space ...
Music in a 'classless society': Activities of members and 'fellow travelers' of Communist party of Yugoslavia on the construction of conceptual and practical basis of the new musical order / Muzika u 'besklasnom društvu' - delanje članova i simpatizera KPJ i SKOJ na teorijskom i praktičnom utemeljenju novog muzičkog poretka (1919-1941)
(Музикологија / Musicology, 2012)
On account of its illegal status in the Kingdom of Yugoslavia, the CPY underwent many transformations in its organizational structure and methods of political struggle during the 1920s and 1930s. Although there are different ...
The attitude of the state sphere towards singing associations in Serbia and Kingdom of Yugoslavia / Odnos sfere države prema pevačkim udruženjima u Srbiji i Kraljevini Jugoslaviji
(Музикологија / Musicology, 2011)
Financial dependence of singing societies in the state of Serbia and Kingdom of Yugoslavia is particularly analyzed in the paper, with a view to pointing to problems which hindered the advancement of music culture in the ...
Gubaidulina, Misunderstood / Несхваћена Губајдулина
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2012)
Since the early 1980s Sofia Gubaidulina has received numerous accolades, and her music has been performed and recorded worldwide. However, the critics’ reaction to her works has often been resoundingly negative. In particular, ...
On music and art in the journal Danica (1860-1872) / O muzici i umetnosti u listu Danica (1860-1872)
(Музикологија / Musicology, 2013)
This paper deals with features and articles on music and art published in the journal Danica, in the period 1860-1872. Selected articles contain significant testimonies on the place of musical practice in the everyday life ...