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Transcendence of avant-garde negativity as a determinant of the social position of European music in the 20th century / Transcendentnost avangardnog negativiteta kao determinanta društvene pozicije evropske muzike u XX veku
(Музикологија / Musicology, 2006)
Starting with Adorno’s negative dialectic and his consideration of musical material as the crucial theoretical notion that implies the negative dialectic core, we examine in this study the deconstructive potential of ...
Modernism and tradition and the traditions of modernism / Modernizam i tradicija i tradicije modernizma
(Музикологија / Musicology, 2006)
Conventionally, the story of musical modernism has been told in terms of a catastrophic break with the (tonal) past and the search for entirely new techniques and modes of expression suitable to a new age. The resulting ...
Miodrag Vasiljević’s margin notes on Béla Bartók’s study Morphology of Serbo-Croatian vocal folk melodies / Marginalije Miodraga Vasiljevića o studiji Bele Bartoka Morfologija srpsko-hrvatskih narodnih vokalnih melodija
(Музикологија / Musicology, 2006)
The founder of modern Serbian ethnomusicology, collector of folk songs ethnomusicologist, and music pedagogue, Miodrag A. Vasiljević (1903-1963) was a younger contemporary of the famous Hungarian composer and ethnomusicologist ...
Contextualization of early modernism in Serbian music: Case studies of two works from 1912 / Kontekstualizacija ranog modernizma u srpskoj muzici na primeru dva ostvarenja iz 1912. godine
(Музикологија / Musicology, 2006)
This study deals with the first Serbian oratorio, Vaskrsenje (Resurrection) by Stevan Hristić, and the first Serbian musical drama, Divina Tragoedia by Milenko Paunović. These works are based on two different interpretations ...