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The temporal dimension of epic songs / Vremenska dimenzija epskih pesama
(Музикологија / Musicology, 2006)
Since research into south-Slav epic songs began, finding its place within philological sciences, the musical component has been marginalized. In extreme cases the correlation between poetry and music was even denied. In ...
'Au-delà d’une musique informelle': Nostalgia, obsolescence and the avant-garde / 'S one strane enformelske muzike' - nostalgija, zastarevanje i avangarda
(Музикологија / Musicology, 2006)
This essay draws on the concepts of profane illumination and the inform to develop a model of the avant-garde in relation to obsolescence and nostalgia. The model is illustrated musically by accounts of two American works, ...
Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research / Srpska muzička kritika i esejistika XIX i prve polovine XX veka kao predmet muzikoloških istraživanja
(Музикологија / Musicology, 2006)
The beginning of 2006 marked two decades since the death of Stana Djurić-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date ...
The birth of contemporary Russia out of the spirit of Russian music / Rađanje savremene Rusije iz duha ruske muzike
(Музикологија / Musicology, 2006)
In this article, the author observes and discusses the effects of Russian history on Russian music in the second half of the XXth century. Forming part of author’s long-range persistent polemics against Russian exceptionalism ...
Antonín Dvořák and Richard Wagner / Antonjin Dvoržak i Rihard Vagner
(Музикологија / Musicology, 2006)
The essay deals with the relation of prominent Czech composer Antonín Dvořák (1841-1904) to the personality and work of Richard Wagner (1813-1883). As opposed to the common opinions linking Dvořák’s name with Wagner‘s ...
Transcendence of avant-garde negativity as a determinant of the social position of European music in the 20th century / Transcendentnost avangardnog negativiteta kao determinanta društvene pozicije evropske muzike u XX veku
(Музикологија / Musicology, 2006)
Starting with Adorno’s negative dialectic and his consideration of musical material as the crucial theoretical notion that implies the negative dialectic core, we examine in this study the deconstructive potential of ...
Modernism and tradition and the traditions of modernism / Modernizam i tradicija i tradicije modernizma
(Музикологија / Musicology, 2006)
Conventionally, the story of musical modernism has been told in terms of a catastrophic break with the (tonal) past and the search for entirely new techniques and modes of expression suitable to a new age. The resulting ...
Miodrag Vasiljević’s margin notes on Béla Bartók’s study Morphology of Serbo-Croatian vocal folk melodies / Marginalije Miodraga Vasiljevića o studiji Bele Bartoka Morfologija srpsko-hrvatskih narodnih vokalnih melodija
(Музикологија / Musicology, 2006)
The founder of modern Serbian ethnomusicology, collector of folk songs ethnomusicologist, and music pedagogue, Miodrag A. Vasiljević (1903-1963) was a younger contemporary of the famous Hungarian composer and ethnomusicologist ...
Contextualization of early modernism in Serbian music: Case studies of two works from 1912 / Kontekstualizacija ranog modernizma u srpskoj muzici na primeru dva ostvarenja iz 1912. godine
(Музикологија / Musicology, 2006)
This study deals with the first Serbian oratorio, Vaskrsenje (Resurrection) by Stevan Hristić, and the first Serbian musical drama, Divina Tragoedia by Milenko Paunović. These works are based on two different interpretations ...