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Chromaticism: A theoretical construction or a practical transformation? / Hromatika - teorijska konstrukcija ili praktično preinačenje?
(Музикологија / Musicology, 2011)
Chromaticism is a phenomenon which is shared by different musical cultures. In the Balkans it is evident both in ecclesiastical and traditional music. In antiquity it was attested by ancient Greek writers and was described ...
The reception of west European music in Belgrade between world wars: On the examples of 'Muzički glasnik' and 'Muzika' magazines / Recepcija zapadnoevropske muzike u međuratnom Beogradu - primer časopisa Muzički glasnik i Muzika
(Музикологија / Musicology, 2011)
The very first music magazines started in Belgrade between World Wars were 'Muzički glasnik' (issued monthly from January to December 1922) and 'Muzika' (also issued monthly in the period January 1928 - March 1929). These ...
Special melodic formulas in the Psalm cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries / Posebne melodijske formule u psalamskom ciklusu bdenja u ruskim rukopisima od XVI do XVIII veka
(Музикологија / Musicology, 2011)
This paper discusses the melodic formulas of psalmodic cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries. It shows that some special formulas are used in the melos of the psalmody, along with the ...
From the ritual of the matins service: The insertion of poetic texts in the chant of the Polyeleos / Iz službe jutrenja - umetanje poetskih tekstova u napev polijeleja
(Музикологија / Musicology, 2011)
In this paper I will examine the practice of inserting non-psalmic poetic texts in the compositions of the Polyeleoi. It is a process of adding or interpolating a poem the content of which is always related to a particular ...
Competitions as a form of public gusle playing performance / Takmičenja kao oblik javne guslarske prakse
(Музикологија / Musicology, 2011)
This paper offers an ethnomusicological perspective on competitions of guslars (players of a single-stringed musical instrument gusle predominantly used to accompany the voice of a singer reciting epic poetry), here ...
Music and rhetoric in ekphonesis: The neume synemba / Melodijsko i retoričko značenje neume synemba
(Музикологија / Musicology, 2011)
In the development of ekphonetic notation, three phases are recognized: the pre-classical (9th-10th c.), the classical (11th-12th c.) and the degenerate system. By the end of the 12th century, in some manuscripts the rules ...
Svanibor Petan: Lambada na Kosovu - etnomuzikološki ogledi, uredila i prevela sa engleskog Iva Nenić, Biblioteka XX vek, Beograd, 2010
(Музикологија / Musicology, 2011)
Experiences in adapting post-Byzantine chant into foreign languages: Research and praxis / Iskustva prilagođavanja postvizantijskog pojanja stranim jezicima - istraživanje i praksa
(Музикологија / Musicology, 2011)
This article presents the current state of the research and practical methodology of the adaptation of Byzantine melodies written in the 'New Method' into foreign languages, with Romanian, English and Finnish serving as ...
The anthologion Athos Lavra E-108: A Greek-Slavonic liturgical manuscript / Antologija Atos Lavra E-108 grčko-slovenski liturgijski rukopis
(Музикологија / Musicology, 2011)
The codex Athos Lavra E-108 is a musical liturgical manuscript from the end of the 14th century. The change of the liturgical rite in the course of the 13th century was an important impulse for the development of the ...