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Zora D. by Isidora Žebeljan: Towards the new opera / Zora D. Isidore Žebeljan - put ka novoj operi
(Музикологија / Musicology, 2004)
Opera Zora D., composed by Isidora Žebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. It is also the first Serbian opera that has ...
Problem of the 'national style' in the writing of Miloje Milojević / Problem nacionalnog stila u napisima Miloja Milojevića
(Музикологија / Musicology, 2007)
Dr. Miloje Milojević (1884-1946) was a central figure in Serbian music criticism and academic essays between the World Wars. A large part of his writings on music were dedicated to the issue of the Serbian 'national music ...
A composer’s inner biography: A sketch for the study of influences in Ljubica Marić’s oeuvre / Unutarnja biografija kompozitora - skica za studiju o uticajima u delima Ljubice Marić
(Музикологија / Musicology, 2004)
Attempting to investigate works of music through frank examination of possible influences is a delicate thing, sometimes maybe dangerous - as has been suggested by Jonathan Cross in his book, The Stravinsky Legacy. While ...
Two Orients in Rudolf Bruci's opera Gilgamesh / Dva Istoka u operi Gilgameš Rudolfa Bručija
(Музикологија / Musicology, 2005)
The theme of this article is the ancient Orient as imagined by the Serbian composer Rudolf Bruci (1917-2002). The finale of his monumental opera Gilgamesh (1986; libretto by Arsa Milošević), makes display of heterogeneous ...
Osterc's letters to Milojević / Osterčeva pisma Milojeviću
(Музикологија / Musicology, 2002)
The correspondence between two of the most important composers in Yugoslavia during the period between the two world wars: Miloje Milojević (1884-1946), a Serb living in Belgrade, and Slavko Osterc (1895-1946), Slovene ...
Sounds of lament, melancholy and wilderness: The Zenithist revolt and music / Tonovi naricanja, melanholije i divljine - zenitistička pobuna i muzika
(Музикологија / Musicology, 2005)
The aim of writing this article is to analyze how the articles published by Zenith magazine (1921-1926) reflected the role of modern music within the framework of Zenithism - a movement relating to Dadaism and Futurism. ...
Contextualization of early modernism in Serbian music: Case studies of two works from 1912 / Kontekstualizacija ranog modernizma u srpskoj muzici na primeru dva ostvarenja iz 1912. godine
(Музикологија / Musicology, 2006)
This study deals with the first Serbian oratorio, Vaskrsenje (Resurrection) by Stevan Hristić, and the first Serbian musical drama, Divina Tragoedia by Milenko Paunović. These works are based on two different interpretations ...