(Re)creating the (folk music) tradition: The national competition of brass orchestras at the Dragačevo Trumpet Festival

Abstract

This paper deals with the problem of the treatment of traditional music at the Dragačevo Trumpet Festival, one of the most important folk music festivals in Serbia. In over half a century of its existence, the Festival has developed from a local event into an international spectacle with a programme scheme which reflects the growing tendency towards multiculturalism, also obvious at the national contest, which refers conceptually to the national folk music tradition. The effects of 'festivalization' are analyzed on the example of the 50th contest (2010), as a paradigm of the modern treatment of the folk music tradition at the Festival. The complexity of the web of the Festival's protagonists (musicians, organizers, the members of the jury, the audience), requires a consideration of the issue through different domains which represent their participation in the (re)creation of tradition.

Rad je posvećen problemu tretmana tradicionalne muzike na Dragačevskom saboru trubača, jednom od najznačajnijih folklornih muzičkih festivala u Srbiji. Za više od pola veka postojanja, Sabor se od događaja lokalnog značaja razvio u internacionalni spektakl sa programskom šemom koja odražava rastuću tendenciju ka multikulturalnosti, vidljivu i na nacionalnom takmičenju, koje konceptualno referira na nacionalnu folklornu muzičku tradiciju. Efekti festivalizacije razmatraju se na primeru 50. takmičenja (2010), kao paradigme savremenog tretmana folklorne muzičke tradicije na Saboru. Složenost mreže aktera festivala (muzičari, organizatori, žiri, publika) nalaže sagledavanje problematike preko različitih domena koji reprezentuju njihovo participiranje u (re)kreiranju tradicije.