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dc.contributorBallester, Jordi
dc.contributorQuesada, German Gan
dc.creatorVesić, Ivana
dc.date.accessioned2023-11-28T20:05:25Z
dc.date.available2023-11-28T20:05:25Z
dc.date.issued2018
dc.identifier.isbn978-2-503-58072-2
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/15864
dc.description.abstractThe first music journals appeared among South Slavs in the Habsburg Monarchy, later Austria-Hungary, in the second half of the 19th century, at the time when the process of institutionalization of art music practices was in its initial phase. Apart from constituting pioneering attempts at music journalism among South Slavs from the so-called Mitteleuropa, the foundation of the journal Sveta Cecilija (St. Cecilia) in Zagreb in 1877 and the publication of Gudalo (The Bow) in Velika Kikinda in the following decade (1886-1887) demonstrated a growing interest of their intellectual elites in music as an aesthetic, social, and cultural phenomenon.sr
dc.language.isoensr
dc.publisherTurnhout : Brepolssr
dc.rightsrestrictedAccesssr
dc.sourceMusic Criticism 1900-1950sr
dc.subjectAll-Slavic Political Idealssr
dc.subjectMusic journalssr
dc.subjectYugoslav Musicsr
dc.subjectInterwar periodsr
dc.titleReflections of All-Slavic Political Ideals in Narratives on Music: The Case of Yugoslav Music Journals in the Interwar Periodsr
dc.typebookPartsr
dc.rights.licenseARRsr
dc.citation.spage3
dc.citation.epage21
dc.type.versionpublishedVersionsr
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_15864


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