Reflections of All-Slavic Political Ideals in Narratives on Music: The Case of Yugoslav Music Journals in the Interwar Period
Samo za registrovane korisnike
2018
Poglavlje u monografiji (Objavljena verzija)
Metapodaci
Prikaz svih podataka o dokumentuApstrakt
The first music journals appeared among South Slavs in the Habsburg Monarchy, later Austria-Hungary, in the second half of the 19th century, at the time when the process of institutionalization of art music practices was in its initial phase. Apart from constituting pioneering attempts at music journalism among South Slavs from the so-called Mitteleuropa, the foundation of the journal Sveta Cecilija (St. Cecilia) in Zagreb in 1877 and the publication of Gudalo (The Bow) in Velika Kikinda in the following decade (1886-1887) demonstrated a growing interest of their intellectual elites in music as an aesthetic, social, and cultural phenomenon.
Ključne reči:
All-Slavic Political Ideals / Music journals / Yugoslav Music / Interwar periodIzvor:
Music Criticism 1900-1950, 2018, 3-21Izdavač:
- Turnhout : Brepols
Institucija/grupa
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Vesić, Ivana PY - 2018 UR - https://dais.sanu.ac.rs/123456789/15864 AB - The first music journals appeared among South Slavs in the Habsburg Monarchy, later Austria-Hungary, in the second half of the 19th century, at the time when the process of institutionalization of art music practices was in its initial phase. Apart from constituting pioneering attempts at music journalism among South Slavs from the so-called Mitteleuropa, the foundation of the journal Sveta Cecilija (St. Cecilia) in Zagreb in 1877 and the publication of Gudalo (The Bow) in Velika Kikinda in the following decade (1886-1887) demonstrated a growing interest of their intellectual elites in music as an aesthetic, social, and cultural phenomenon. PB - Turnhout : Brepols T2 - Music Criticism 1900-1950 T1 - Reflections of All-Slavic Political Ideals in Narratives on Music: The Case of Yugoslav Music Journals in the Interwar Period SP - 3 EP - 21 UR - https://hdl.handle.net/21.15107/rcub_dais_15864 ER -
@inbook{ author = "Vesić, Ivana", year = "2018", abstract = "The first music journals appeared among South Slavs in the Habsburg Monarchy, later Austria-Hungary, in the second half of the 19th century, at the time when the process of institutionalization of art music practices was in its initial phase. Apart from constituting pioneering attempts at music journalism among South Slavs from the so-called Mitteleuropa, the foundation of the journal Sveta Cecilija (St. Cecilia) in Zagreb in 1877 and the publication of Gudalo (The Bow) in Velika Kikinda in the following decade (1886-1887) demonstrated a growing interest of their intellectual elites in music as an aesthetic, social, and cultural phenomenon.", publisher = "Turnhout : Brepols", journal = "Music Criticism 1900-1950", booktitle = "Reflections of All-Slavic Political Ideals in Narratives on Music: The Case of Yugoslav Music Journals in the Interwar Period", pages = "3-21", url = "https://hdl.handle.net/21.15107/rcub_dais_15864" }
Vesić, I.. (2018). Reflections of All-Slavic Political Ideals in Narratives on Music: The Case of Yugoslav Music Journals in the Interwar Period. in Music Criticism 1900-1950 Turnhout : Brepols., 3-21. https://hdl.handle.net/21.15107/rcub_dais_15864
Vesić I. Reflections of All-Slavic Political Ideals in Narratives on Music: The Case of Yugoslav Music Journals in the Interwar Period. in Music Criticism 1900-1950. 2018;:3-21. https://hdl.handle.net/21.15107/rcub_dais_15864 .
Vesić, Ivana, "Reflections of All-Slavic Political Ideals in Narratives on Music: The Case of Yugoslav Music Journals in the Interwar Period" in Music Criticism 1900-1950 (2018):3-21, https://hdl.handle.net/21.15107/rcub_dais_15864 .