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Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins

dc.creatorRadovanović, Bojana
dc.date.accessioned2020-12-17T10:12:08Z
dc.date.available2020-12-17T10:12:08Z
dc.date.issued2020
dc.identifier.issn2079-3871
dc.identifier.urihttps://iaspmjournal.net/index.php/IASPM_Journal/article/view/1025
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/9951
dc.description.abstractThe subject of this article is the Center for Popular Music Research in Belgrade, Serbia, founded in 2013. More precisely, this paper deals with the context of the foundation of the Center on the “margins” of musicology, its initial ideas, struggles, realized projects, and some plans for the future. Likewise, it recognizes the pioneering role of the Center’s founder, Vesna Mikić (1967–2019), in establishing a platform for popular music studies in Serbian musicology.en
dc.language.isoensr
dc.publisherHägersten : The International Association for the Study of Popular Musicsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/inst-2020/200176/RS//sr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/
dc.sourceIASPM Journalsr
dc.subjectMusicologysr
dc.subjectResearchsr
dc.subjectPopular Musicsr
dc.subjectOrganizationsr
dc.subjectTheorysr
dc.subjectVesna Mikićsr
dc.subjectCenter for Popular Music Researchsr
dc.subjectpopular music studiessr
dc.subjectSerbiasr
dc.titleCenter for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Marginsen
dc.typearticlesr
dc.rights.licenseBY-NC-SAsr
dcterms.abstractРадовановић, Бојана;
dc.citation.spage70
dc.citation.epage80
dc.citation.volume10
dc.citation.issue1
dc.identifier.doi10.5429/2079-3871(2020)v10i1.6en
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttps://dais.sanu.ac.rs/bitstream/id/41102/bitstream_41102.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_9951


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