“Human vs. Machine” Divide is a False Dichotomy: Interview with Dr. Kelly Snook
Article (Published version)
Metadata
Show full item recordKeywords:
human-machine collaboration / music technology / MI.MU Gloves / Kelly Snook / art and science / women in science and technologySource:
INSAM Journal of Contemporary Music, Art and Technology, 2020, 4, 17-22Funding / projects:
- Ministry of Science, Technological Development and Innovation of the Republic of Serbia, institutional funding - 200176 (Institute of Musicology SASA, Belgrade) (RS-MESTD-inst-2020-200176)
URI
https://insam-institute.com/wp-content/uploads/2020/07/2.-INSAM-Journal-4-Marija-Maglov-17-22-1.pdfhttps://dais.sanu.ac.rs/123456789/9918
Institution/Community
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Maglov, Marija PY - 2020 UR - https://insam-institute.com/wp-content/uploads/2020/07/2.-INSAM-Journal-4-Marija-Maglov-17-22-1.pdf UR - https://dais.sanu.ac.rs/123456789/9918 T2 - INSAM Journal of Contemporary Music, Art and Technology T1 - “Human vs. Machine” Divide is a False Dichotomy: Interview with Dr. Kelly Snook SP - 17 EP - 22 IS - 4 UR - https://hdl.handle.net/21.15107/rcub_dais_9918 ER -
@article{ author = "Maglov, Marija", year = "2020", journal = "INSAM Journal of Contemporary Music, Art and Technology", title = "“Human vs. Machine” Divide is a False Dichotomy: Interview with Dr. Kelly Snook", pages = "17-22", number = "4", url = "https://hdl.handle.net/21.15107/rcub_dais_9918" }
Maglov, M.. (2020). “Human vs. Machine” Divide is a False Dichotomy: Interview with Dr. Kelly Snook. in INSAM Journal of Contemporary Music, Art and Technology(4), 17-22. https://hdl.handle.net/21.15107/rcub_dais_9918
Maglov M. “Human vs. Machine” Divide is a False Dichotomy: Interview with Dr. Kelly Snook. in INSAM Journal of Contemporary Music, Art and Technology. 2020;(4):17-22. https://hdl.handle.net/21.15107/rcub_dais_9918 .
Maglov, Marija, "“Human vs. Machine” Divide is a False Dichotomy: Interview with Dr. Kelly Snook" in INSAM Journal of Contemporary Music, Art and Technology, no. 4 (2020):17-22, https://hdl.handle.net/21.15107/rcub_dais_9918 .