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Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем
Folklore in bureaucracy code: Running a music event
dc.creator | Лукић Крстановић, Мирослава | |
dc.date.accessioned | 2020-06-01T17:05:11Z | |
dc.date.available | 2020-06-01T17:05:11Z | |
dc.date.issued | 2004 | |
dc.identifier.issn | 0350-0861 (print) | |
dc.identifier.issn | 2334-8259 (online) | |
dc.identifier.uri | https://dais.sanu.ac.rs/123456789/8778 | |
dc.description.abstract | Фолклорно стваралаштво у домену музичког спектакла исказује се као парадигма, бирократско дело и јавна представа. Такво јавно дело успоставља културни, економски и политички поредак, у коме владају посебна правила расподеле власти и моћи. Зато фолклорни спектакл кроз своје програме и активности представља сцену и арену појединачних и групних интереса. | sr |
dc.description.abstract | A music folk-created piece of work is a construction expressed as a paradigm part of a set in the bureaucracy system and the public arena. Such a work is a mechanical concept, which defines inheritance as a construction of authenticity saturated with elements of folk, national culture. It is also a subject of certain conventions in the system of regulations; namely, it is a part of the administrative code. The usage of the folk created work as a paradigm and legislations is realized through an organizational apparatus that is, it becomes entertainment, a spectacle. This paper analyzes the functioning of the organizational machinery of a folk spectacle, starting with the government authorities, local self-management and the spectacle's administrative committees. To illustrate this phenomenon, the paper presents the development of a trumpet playing festival in Dragačevo. This particular festival establishes a cultural, economic and political order with a clear and defined division of power. The analysis shows that the folk event in question, through its programs and activities, represents a scene and arena of individual and group interests. Organizational interactions are recognized in binary oppositions: sovereignty/dependency official/unofficial, dominancy/ subordination, innovative/inherited common/different, needed/useful, original/copy, one's own/belonging to someone else. | en |
dc.language.iso | sr | sr |
dc.publisher | Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA | sr |
dc.relation | Савремена сеоска и градска култура – путеви и трансформација, бр. 1868 / Contemporary Rural and Urban Culture - Ways of Transformation, no. 1868 | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA | sr |
dc.subject | фолклорно стваралаштво | sr |
dc.subject | музички спектакл | sr |
dc.subject | бирократија | sr |
dc.subject | интерес | sr |
dc.subject | folk creativity | sr |
dc.subject | music spectacle | sr |
dc.subject | bureaucracy | sr |
dc.subject | interest | sr |
dc.title | Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем | sr |
dc.title | Folklore in bureaucracy code: Running a music event | en |
dc.type | article | sr |
dc.rights.license | BY-NC-ND | sr |
dcterms.abstract | Lukić Krstanović, Miroslava; Folklorno stvaralaštvo u birokratskom kodu : upravljanje muzičkim događajem; | |
dc.rights.holder | Етнографски институт САНУ | sr |
dc.citation.spage | 53 | |
dc.citation.epage | 65 | |
dc.citation.volume | 52 | |
dc.identifier.doi | 10.2298/GEI0452053K | |
dc.type.version | publishedVersion | sr |
dc.identifier.fulltext | https://dais.sanu.ac.rs/bitstream/id/33484/bitstream_33484.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_dais_8778 |