dc.contributor | Šuvaković, Miško | |
dc.contributor | Dedić, Nikola | |
dc.contributor | Nikolić, Sanela | |
dc.creator | Bralović, Miloš | |
dc.date.accessioned | 2018-10-31T12:34:03Z | |
dc.date.available | 2018-10-31T12:34:03Z | |
dc.date.issued | 2018 | |
dc.identifier.issn | 2217-9666 (print) | |
dc.identifier.issn | 2406-1654 (online) | |
dc.identifier.uri | https://fmkjournals.fmk.edu.rs/index.php/AM/article/view/249/pdf | |
dc.identifier.uri | https://dais.sanu.ac.rs/123456789/4094 | |
dc.description.abstract | While re-thinking (or, from the perspective of our time, looking at) Modernism, and
the concept of modernity, one must have in mind all the contradictions implied by the term.
To paraphrase Susan Stanford Friedman, Modernism is (or was) both the culture of rebellion
and ‘high’, elitist culture, both negation of tradition and a so-called master narrative. Modernism means different things to different people, but the problem is that, as Stanford Friedman
points out, its definitions are not just different, but stand as opposites. Bearing that in mind,
the main point of this paper is to try to define/explain/understand what the mentioned master
narrative (in the Modernist practices of fine arts) is and how it was created. Is our re-thinking,
or looking from a temporal distance, just a mere observation, or, is it inevitable to notice all the
different narratives connected to different practices similarly to Jacques Derrida’s différence?
In other words, were there that many narratives, would there even be a master one? | en |
dc.language.iso | en | sr |
dc.publisher | Belgrade : Faculty of Media and Communications, SIngidunum University | sr |
dc.relation | info:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS// | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | AM Journal of Art and Media Studies | sr |
dc.subject | Modernism | sr |
dc.subject | narrative | sr |
dc.subject | fine arts | sr |
dc.subject | 20th century | sr |
dc.subject | Virginia Woolf | sr |
dc.subject | Arnold Schönberg | sr |
dc.subject | Vasily Kandinsky | sr |
dc.title | Looking at the Master Narrative: A Possible Interpretation Strategy | en |
dc.type | article | sr |
dc.rights.license | BY-NC-ND | sr |
dcterms.abstract | Браловић, Милош; | |
dc.citation.spage | 1 | |
dc.citation.epage | 10 | |
dc.citation.apa | | |
dc.citation.issue | 16 | |
dc.identifier.wos | 000461415000001 | |
dc.identifier.doi | 10.25038/am.v0i16.249 | |
dc.identifier.cobiss | 192045324 | |
dc.type.version | publishedVersion | sr |
dc.identifier.fulltext | https://dais.sanu.ac.rs/bitstream/id/12777/Bralovic_AM_Modernism.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_dais_4094 | |