The Speech Choir in Central European Theatres and Literary-Musical Works in the First Third of the 20th Century
Говорни хорови у позориштима и књижевномузичким делима централне Европе у првој трећини XX века
Članak u časopisu (Objavljena verzija)
Metapodaci
Prikaz svih podataka o dokumentuApstrakt
Speech choirs emerged as an offshoot of the choral gatherings of a wider youth
musical and singing movement in the frst half of the 20th century. The occasionally
expressed opinion that choral speaking was cultivated primarily by the Hitler
Youth and pressed into service on behalf of Nazi nationalist and racist propaganda
is, historically, only partially accurate. The primary forces of choral speaking in
Germany were, from 1919, the Social Democratic workers’ and cultural movement
and the Catholic youth groups, in addition to elementary and secondary schools.
The popularity of speech choirs around 1930 was also echoed in the music of
the time. Compositions for musical speech choirs were produced by composers
like Heinz Thiessen, Arnold Schönberg, Ernst Toch, Carl Orff, Vladimir Vogel,
Luigi Nono, Helmut Lachenmann and Wolfgang Rihm. Moving forward from the
Schönberg School, the post-1945 new music thereby opens up the spectrum of
vocal expressions of sound beyond that of th...e singing voice. It does so not only for
solo voices but for the choir as well.
Ključne reči:
Speech Choir / spoken-word-movement / contemporary music / Luigi Nono / Helmut LachenmannIzvor:
Музикологија / Musicology, 2015, 18, 159-174Izdavač:
- Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts
URI
http://www.doiserbia.nb.rs/img/doi/1450-9814/2015/1450-98141518159M.pdfhttps://dais.sanu.ac.rs/123456789/3858
Institucija/grupa
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Meyer-Kalkus, Reinhart PY - 2015 UR - http://www.doiserbia.nb.rs/img/doi/1450-9814/2015/1450-98141518159M.pdf UR - https://dais.sanu.ac.rs/123456789/3858 AB - Speech choirs emerged as an offshoot of the choral gatherings of a wider youth musical and singing movement in the frst half of the 20th century. The occasionally expressed opinion that choral speaking was cultivated primarily by the Hitler Youth and pressed into service on behalf of Nazi nationalist and racist propaganda is, historically, only partially accurate. The primary forces of choral speaking in Germany were, from 1919, the Social Democratic workers’ and cultural movement and the Catholic youth groups, in addition to elementary and secondary schools. The popularity of speech choirs around 1930 was also echoed in the music of the time. Compositions for musical speech choirs were produced by composers like Heinz Thiessen, Arnold Schönberg, Ernst Toch, Carl Orff, Vladimir Vogel, Luigi Nono, Helmut Lachenmann and Wolfgang Rihm. Moving forward from the Schönberg School, the post-1945 new music thereby opens up the spectrum of vocal expressions of sound beyond that of the singing voice. It does so not only for solo voices but for the choir as well. PB - Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts T2 - Музикологија / Musicology T1 - The Speech Choir in Central European Theatres and Literary-Musical Works in the First Third of the 20th Century T1 - Говорни хорови у позориштима и књижевномузичким делима централне Европе у првој трећини XX века SP - 159 EP - 174 IS - 18 DO - 10.2298/MUZ1518159M UR - https://hdl.handle.net/21.15107/rcub_dais_3858 ER -
@article{ author = "Meyer-Kalkus, Reinhart", year = "2015", abstract = "Speech choirs emerged as an offshoot of the choral gatherings of a wider youth musical and singing movement in the frst half of the 20th century. The occasionally expressed opinion that choral speaking was cultivated primarily by the Hitler Youth and pressed into service on behalf of Nazi nationalist and racist propaganda is, historically, only partially accurate. The primary forces of choral speaking in Germany were, from 1919, the Social Democratic workers’ and cultural movement and the Catholic youth groups, in addition to elementary and secondary schools. The popularity of speech choirs around 1930 was also echoed in the music of the time. Compositions for musical speech choirs were produced by composers like Heinz Thiessen, Arnold Schönberg, Ernst Toch, Carl Orff, Vladimir Vogel, Luigi Nono, Helmut Lachenmann and Wolfgang Rihm. Moving forward from the Schönberg School, the post-1945 new music thereby opens up the spectrum of vocal expressions of sound beyond that of the singing voice. It does so not only for solo voices but for the choir as well.", publisher = "Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts", journal = "Музикологија / Musicology", title = "The Speech Choir in Central European Theatres and Literary-Musical Works in the First Third of the 20th Century, Говорни хорови у позориштима и књижевномузичким делима централне Европе у првој трећини XX века", pages = "159-174", number = "18", doi = "10.2298/MUZ1518159M", url = "https://hdl.handle.net/21.15107/rcub_dais_3858" }
Meyer-Kalkus, R.. (2015). The Speech Choir in Central European Theatres and Literary-Musical Works in the First Third of the 20th Century. in Музикологија / Musicology Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts.(18), 159-174. https://doi.org/10.2298/MUZ1518159M https://hdl.handle.net/21.15107/rcub_dais_3858
Meyer-Kalkus R. The Speech Choir in Central European Theatres and Literary-Musical Works in the First Third of the 20th Century. in Музикологија / Musicology. 2015;(18):159-174. doi:10.2298/MUZ1518159M https://hdl.handle.net/21.15107/rcub_dais_3858 .
Meyer-Kalkus, Reinhart, "The Speech Choir in Central European Theatres and Literary-Musical Works in the First Third of the 20th Century" in Музикологија / Musicology, no. 18 (2015):159-174, https://doi.org/10.2298/MUZ1518159M ., https://hdl.handle.net/21.15107/rcub_dais_3858 .