Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies
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Žarko Cvejić, Andrija Filipović, Ana Petrov and contributors
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Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musicologist Mirjana Veselinović Hofman, with focus on her concept of local avant-garde, compared to the concept of transculturality developed by German philosopher, aesthetician, and theorist of culture Wolfgang Welsch. Together, these concepts put the idea of the avant-garde in music in a different perspective, especially concerning the place and time of its emergence. Inspired by those two concepts, the status of avant-garde, radical music today is further investigated, using the insights in contemporary music by Adornian music aesthetician Max Paddison.
Keywords:
musical avant-garde / transculturality / musicology / Mirjana Veselinović-Hofman / Wolfgang Welsch / Max PaddisonSource:
The Crisis in the Humanities: Transdisciplinary Solutions, 2016, 102-109Publisher:
- Newcastle upon Tyne : Cambridge Scholars Publishing
Institution/Community
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Maglov, Marija PY - 2016 UR - https://dais.sanu.ac.rs/123456789/3404 AB - Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musicologist Mirjana Veselinović Hofman, with focus on her concept of local avant-garde, compared to the concept of transculturality developed by German philosopher, aesthetician, and theorist of culture Wolfgang Welsch. Together, these concepts put the idea of the avant-garde in music in a different perspective, especially concerning the place and time of its emergence. Inspired by those two concepts, the status of avant-garde, radical music today is further investigated, using the insights in contemporary music by Adornian music aesthetician Max Paddison. PB - Newcastle upon Tyne : Cambridge Scholars Publishing T2 - The Crisis in the Humanities: Transdisciplinary Solutions T1 - Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies SP - 102 EP - 109 UR - https://hdl.handle.net/21.15107/rcub_dais_3404 ER -
@inbook{ author = "Maglov, Marija", year = "2016", abstract = "Point of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musicologist Mirjana Veselinović Hofman, with focus on her concept of local avant-garde, compared to the concept of transculturality developed by German philosopher, aesthetician, and theorist of culture Wolfgang Welsch. Together, these concepts put the idea of the avant-garde in music in a different perspective, especially concerning the place and time of its emergence. Inspired by those two concepts, the status of avant-garde, radical music today is further investigated, using the insights in contemporary music by Adornian music aesthetician Max Paddison.", publisher = "Newcastle upon Tyne : Cambridge Scholars Publishing", journal = "The Crisis in the Humanities: Transdisciplinary Solutions", booktitle = "Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies", pages = "102-109", url = "https://hdl.handle.net/21.15107/rcub_dais_3404" }
Maglov, M.. (2016). Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies. in The Crisis in the Humanities: Transdisciplinary Solutions Newcastle upon Tyne : Cambridge Scholars Publishing., 102-109. https://hdl.handle.net/21.15107/rcub_dais_3404
Maglov M. Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies. in The Crisis in the Humanities: Transdisciplinary Solutions. 2016;:102-109. https://hdl.handle.net/21.15107/rcub_dais_3404 .
Maglov, Marija, "Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies" in The Crisis in the Humanities: Transdisciplinary Solutions (2016):102-109, https://hdl.handle.net/21.15107/rcub_dais_3404 .