On Researching the Means of Musical Borrowing and Its Purpose – Case Study: Mature Works of Milan Ristić

dc.contributor	Albegne, Paul
dc.contributor	Condi, Louise
dc.contributor	Mignona, Francesca
dc.contributor	Munive, David
dc.contributor	Damron Kyle, Amy
dc.contributor	Renaudin, Marie
dc.creator	Bralović, Miloš
dc.date.accessioned	2021-12-17T00:03:04Z
dc.date.available	2021-12-17T00:03:04Z
dc.date.issued	2021
dc.identifier.uri	https://dais.sanu.ac.rs/123456789/12404
dc.description.abstract	The main issue of this paper is to present the ways of dealing with poietic of Paul Hindemith (1895–1963) and its influence of post World War II works by Serbian composer Milan Ristić (1908–1982).	sr
dc.language.iso	en	sr
dc.publisher	Paris : Bureau des jeunes chercheurs	sr
dc.relation	info:eu-repo/grantAgreement/MESTD/inst-2020/200176/RS//	sr
dc.rights	openAccess	sr
dc.rights.uri	https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.source	IIIe Congrès doctoral international de musique et musicologie: Au rythme de la recherche	sr
dc.subject	Milan Ristić	sr
dc.subject	Paul Hindemith	sr
dc.subject	Second Symphony	sr
dc.subject	First Piano Concerto	sr
dc.title	On Researching the Means of Musical Borrowing and Its Purpose – Case Study: Mature Works of Milan Ristić	sr
dc.type	conferenceObject	sr
dc.rights.license	BY-NC-ND	sr
dc.type.version	publishedVersion	sr
dc.identifier.fulltext	http://dais.sanu.ac.rs/bitstream/id/49390/MB_paris_abstract.pdf
dc.identifier.rcub	https://hdl.handle.net/21.15107/rcub_dais_12404