Making a Case for Balkan Music Studies
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Metapodaci
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In his seminal comprehensive history of music(s) in the Balkan region, Jim Samson avoided the term “Balkan music” in favor of the less-binding title Music in the Balkans (Leiden: Brill, 2013). This, however, should not hinder us from probing the term “Balkan music” and its many connotations. In this editorial article for the Special Issue Balkan Music: Past, Present, Future, I aim to dissect the umbrella term “Balkan music” and its actual and presumed meanings and implications, while overviewing many different music traditions and styles that this term encompasses. I will also make a case for the establishment of Balkan Music Studies as a discipline and attempt to outline its scope and outreach.
Ključne reči:
the Balkans / music / oriental elements / Jim Samson / Music in the BalkansIzvor:
Arts, 2020, 99, 9 (4)Izdavač:
- Basel : MDPI
Institucija/grupa
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Medić, Ivana PY - 2020 UR - https://www.mdpi.com/2076-0752/9/4/99 UR - https://dais.sanu.ac.rs/123456789/10164 AB - In his seminal comprehensive history of music(s) in the Balkan region, Jim Samson avoided the term “Balkan music” in favor of the less-binding title Music in the Balkans (Leiden: Brill, 2013). This, however, should not hinder us from probing the term “Balkan music” and its many connotations. In this editorial article for the Special Issue Balkan Music: Past, Present, Future, I aim to dissect the umbrella term “Balkan music” and its actual and presumed meanings and implications, while overviewing many different music traditions and styles that this term encompasses. I will also make a case for the establishment of Balkan Music Studies as a discipline and attempt to outline its scope and outreach. PB - Basel : MDPI T2 - Arts T1 - Making a Case for Balkan Music Studies VL - 99 IS - 9 (4) DO - 10.3390/arts9040099 UR - https://hdl.handle.net/21.15107/rcub_dais_10164 ER -
@article{ author = "Medić, Ivana", year = "2020", abstract = "In his seminal comprehensive history of music(s) in the Balkan region, Jim Samson avoided the term “Balkan music” in favor of the less-binding title Music in the Balkans (Leiden: Brill, 2013). This, however, should not hinder us from probing the term “Balkan music” and its many connotations. In this editorial article for the Special Issue Balkan Music: Past, Present, Future, I aim to dissect the umbrella term “Balkan music” and its actual and presumed meanings and implications, while overviewing many different music traditions and styles that this term encompasses. I will also make a case for the establishment of Balkan Music Studies as a discipline and attempt to outline its scope and outreach.", publisher = "Basel : MDPI", journal = "Arts", title = "Making a Case for Balkan Music Studies", volume = "99", number = "9 (4)", doi = "10.3390/arts9040099", url = "https://hdl.handle.net/21.15107/rcub_dais_10164" }
Medić, I.. (2020). Making a Case for Balkan Music Studies. in Arts Basel : MDPI., 99(9 (4)). https://doi.org/10.3390/arts9040099 https://hdl.handle.net/21.15107/rcub_dais_10164
Medić I. Making a Case for Balkan Music Studies. in Arts. 2020;99(9 (4)). doi:10.3390/arts9040099 https://hdl.handle.net/21.15107/rcub_dais_10164 .
Medić, Ivana, "Making a Case for Balkan Music Studies" in Arts, 99, no. 9 (4) (2020), https://doi.org/10.3390/arts9040099 ., https://hdl.handle.net/21.15107/rcub_dais_10164 .