Voice and Body in Extreme Metal Music
Конференцијски прилог (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
Metal subgenres such as, for example, death metal, black metal, doom metal, which are considered as constituents of the “meta-genre” of extreme metal, have built up a very specific sound and imagery during the last several decades. As Keith Kahn-Harris noticed, this cluster of sub-genres gathers musical acts of different historical backgrounds and ideologies, which show the highest level of diversity, artistic vibrancy and dynamics, while at the same time being the most problematic area of metal culture in general. The supposed aggression, radicalism, and exclusivity in sound stem not only from the fast, virtuoso, and technically demanding playing of the instruments, but also from the very peculiar vocal emissions. This monstrous voice, which is the result of the extended vocal techniques (primarily screams, growls, squeals), is the point of intersection for several issues concerning voice, body, and technology.
Кључне речи:
Extreme Metal Music / Voice / Extreme Voice / Body / Corporeality / Monstrous VoiceИзвор:
Body and Corporeality in 20th and 21st Century Music Conference. Book of Abstracts, 2020, 34-Издавач:
- Graz : Centre for Gender Studies, University of Music and Performing Arts Graz, Austria
Финансирање / пројекти:
- Министарство науке, технолошког развоја и иновација Републике Србије, институционално финансирање - 200176 (Музиколошки институт САНУ, Београд) (RS-MESTD-inst-2020-200176)
URI
https://genderforschung.kug.ac.at/veranstaltungen/veranstaltungen-und-projekte/symposien/body-and-corporeality-in-20th-and-21st-century-music/https://dais.sanu.ac.rs/123456789/10005
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CONF AU - Radovanović, Bojana PY - 2020 UR - https://genderforschung.kug.ac.at/veranstaltungen/veranstaltungen-und-projekte/symposien/body-and-corporeality-in-20th-and-21st-century-music/ UR - https://dais.sanu.ac.rs/123456789/10005 AB - Metal subgenres such as, for example, death metal, black metal, doom metal, which are considered as constituents of the “meta-genre” of extreme metal, have built up a very specific sound and imagery during the last several decades. As Keith Kahn-Harris noticed, this cluster of sub-genres gathers musical acts of different historical backgrounds and ideologies, which show the highest level of diversity, artistic vibrancy and dynamics, while at the same time being the most problematic area of metal culture in general. The supposed aggression, radicalism, and exclusivity in sound stem not only from the fast, virtuoso, and technically demanding playing of the instruments, but also from the very peculiar vocal emissions. This monstrous voice, which is the result of the extended vocal techniques (primarily screams, growls, squeals), is the point of intersection for several issues concerning voice, body, and technology. PB - Graz : Centre for Gender Studies, University of Music and Performing Arts Graz, Austria C3 - Body and Corporeality in 20th and 21st Century Music Conference. Book of Abstracts T1 - Voice and Body in Extreme Metal Music SP - 34 UR - https://hdl.handle.net/21.15107/rcub_dais_10005 ER -
@conference{ author = "Radovanović, Bojana", year = "2020", abstract = "Metal subgenres such as, for example, death metal, black metal, doom metal, which are considered as constituents of the “meta-genre” of extreme metal, have built up a very specific sound and imagery during the last several decades. As Keith Kahn-Harris noticed, this cluster of sub-genres gathers musical acts of different historical backgrounds and ideologies, which show the highest level of diversity, artistic vibrancy and dynamics, while at the same time being the most problematic area of metal culture in general. The supposed aggression, radicalism, and exclusivity in sound stem not only from the fast, virtuoso, and technically demanding playing of the instruments, but also from the very peculiar vocal emissions. This monstrous voice, which is the result of the extended vocal techniques (primarily screams, growls, squeals), is the point of intersection for several issues concerning voice, body, and technology.", publisher = "Graz : Centre for Gender Studies, University of Music and Performing Arts Graz, Austria", journal = "Body and Corporeality in 20th and 21st Century Music Conference. Book of Abstracts", title = "Voice and Body in Extreme Metal Music", pages = "34", url = "https://hdl.handle.net/21.15107/rcub_dais_10005" }
Radovanović, B.. (2020). Voice and Body in Extreme Metal Music. in Body and Corporeality in 20th and 21st Century Music Conference. Book of Abstracts Graz : Centre for Gender Studies, University of Music and Performing Arts Graz, Austria., 34. https://hdl.handle.net/21.15107/rcub_dais_10005
Radovanović B. Voice and Body in Extreme Metal Music. in Body and Corporeality in 20th and 21st Century Music Conference. Book of Abstracts. 2020;:34. https://hdl.handle.net/21.15107/rcub_dais_10005 .
Radovanović, Bojana, "Voice and Body in Extreme Metal Music" in Body and Corporeality in 20th and 21st Century Music Conference. Book of Abstracts (2020):34, https://hdl.handle.net/21.15107/rcub_dais_10005 .