Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins

Radovanović, Bojana

doi:10.5429/2079-3871(2020)v10i1.6en

2020

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Radovanović, Bojana

Article (Published version)

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Abstract

The subject of this article is the Center for Popular Music Research in Belgrade, Serbia, founded in 2013. More precisely, this paper deals with the context of the foundation of the Center on the “margins” of musicology, its initial ideas, struggles, realized projects, and some plans for the future. Likewise, it recognizes the pioneering role of the Center’s founder, Vesna Mikić (1967–2019), in establishing a platform for popular music studies in Serbian musicology.

Keywords:

Musicology / Research / Popular Music / Organization / Theory / Vesna Mikić / Center for Popular Music Research / popular music studies / Serbia

Source:
IASPM Journal, 2020, 10, 1, 70-80

Publisher:

Hägersten : The International Association for the Study of Popular Music

Projects:

Ministry of Education, Science and Technological Development, Republic of Serbia, Grant no. 451-03-68/2020-14/200176 (Institute of Musicology SASA, Belgrade) (RS-200176)

DOI: 10.5429/2079-3871(2020)v10i1.6en

TY  - JOUR
AU  - Radovanović, Bojana
PY  - 2020
UR  - https://iaspmjournal.net/index.php/IASPM_Journal/article/view/1025
UR  - https://dais.sanu.ac.rs/123456789/9951
AB  - The subject of this article is the Center for Popular Music Research in Belgrade, Serbia, founded in 2013. More precisely, this paper deals with the context of the foundation of the Center on the “margins” of musicology, its initial ideas, struggles, realized projects, and some plans for the future. Likewise, it recognizes the pioneering role of the Center’s founder, Vesna Mikić (1967–2019), in establishing a platform for popular music studies in Serbian musicology.
PB  - Hägersten : The International Association for the Study of Popular Music
T2  - IASPM Journal
T1  - Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins
SP  - 70
EP  - 80
VL  - 10
IS  - 1
DO  - 10.5429/2079-3871(2020)v10i1.6en
ER  -

@article{
author = "Radovanović, Bojana",
year = "2020",
url = "https://iaspmjournal.net/index.php/IASPM_Journal/article/view/1025, https://dais.sanu.ac.rs/123456789/9951",
abstract = "The subject of this article is the Center for Popular Music Research in Belgrade, Serbia, founded in 2013. More precisely, this paper deals with the context of the foundation of the Center on the “margins” of musicology, its initial ideas, struggles, realized projects, and some plans for the future. Likewise, it recognizes the pioneering role of the Center’s founder, Vesna Mikić (1967–2019), in establishing a platform for popular music studies in Serbian musicology.",
publisher = "Hägersten : The International Association for the Study of Popular Music",
journal = "IASPM Journal",
title = "Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins",
pages = "70-80",
volume = "10",
number = "1",
doi = "10.5429/2079-3871(2020)v10i1.6en"
}

Radovanović, B. (2020). Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins.
IASPM Journal
Hägersten : The International Association for the Study of Popular Music., 10(1), 70-80.
https://doi.org/10.5429/2079-3871(2020)v10i1.6en

Radovanović B. Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins. IASPM Journal. 2020;10(1):70-80

Radovanović Bojana, "Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins" IASPM Journal, 10, no. 1 (2020):70-80,
https://doi.org/10.5429/2079-3871(2020)v10i1.6en .