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The Communication and Analogies between Music and Image: Dragutin Gostuški’s Theory of the Screen
(Belgrade : Department of Musicology, Faculty of Music, 2018)
In his doctoral dissertation (Vreme umetnosti, 1968), Dragutin Gostuški
argues that one of the most important missions for the contemporary theory of the arts
to partake in is to systematically examine matters through ...
Overlapping Paradigms: Exploring the Notion of Performance from Viewpoints of Musicology and Performance Studies
(Belgrade : Department of Musicology, Faculty of Music, 2018)
YouTube as a platform and a possibility for future multi-media archives
(Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts, Department of Fine Arts and Music Serbian Academy of Sciences and Arts, 2017)
Bearing in mind the impact of new media on the notion of the archive, which is in the state of transition and ‘moving towards the audio-visual’ (Ernst), this paper focuses on the new phenomenon of archives in virtual space. ...
Between East and West: Dragutin Gostuški’s musicological work
(Roma : Società Editrice di MusicologiaRoma : UniversItalia, 2019)
Dragutin Gostuški (1923-1998), a composer and an art historian by vocation, as well as a musicologist and a music critic by ambition, is one of the most prominent personalities in the Serbian and Yugoslav music scene in ...
Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements
(YMM: The East, the West, the In-Between, 2018)
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative ...
Musicology in the context of media - media in the context of musicology
(Belgrade : Faculty of Music, 2020)
The main subject of this paper is the relationship between musicology and
the vast corpus of theoretical knowledge that could be recognized under the umbrella
term of media studies or media theory. Although some aspects ...
Overlapping Paradigms: Exploring the Notion of Performance from the Viewpoints of Musicology and Performance Studies
(Belgrade : Department of Musicology, Faculty of Music, 2020)
This paper focuses on the notions of performance, or, more precisely, the notion of studying performance in the fields of performance studies and musicology. Taking into account that different understandings of the ...
Позоришни сценарио versus партитура музичког дела
(Београд : Факултет музичке уметности, 2021)
Са намером да се преиспитају на први поглед једноставне логичне паралеле између музичке и позоришне уметности, у овом раду су размотрени проблеми који их прате. Да ли музикологија и театрологија деле разумевање појединих ...
Ontological Hermeneutics as a Catalyst of Musicological Discourse: A Few Sketches / Онтолошка херменеутика као катализатор музиколошког дискурса: неколико скица
(Београд : Музиколошки институт САНУ, 2019)
From the invention of language, the phenomenon of Greek hermēneía to biblical exegesis, interpretation is one of the crucial paradigms of culture and civilization. Joined with general ontology, hermeneutics offers original ...
On the Future of Music History in Professional and Central-Peripheral European Musical Circumstances / О будућности историје музике у професионалном и централнопериферном европском музичком окружењу
(Београд : Музиколошки институт САНУ, 2019)
In considering the chosen topic, I proceed from the complex relationship between music history, music historiography and musicology, focusing on musicology as an interdisciplinary branch of music history. I consider the ...