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Process in the aesthetical and theoretical thought of Karlheinz Stockhausen
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Process is the key aspect of Karlheinz Stockhausen’s (1928–2007) musical discourse. In this paper, I aim to present the composer’s understanding of the word process and mark the place that this word has in the aesthetical ...
"The Most Important Role Performer Can Take On Is To Promote New Music": Interview with Nataša Penezić
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Interview with pianist Nataša Penezić