Search
Now showing items 1-10 of 483
Београдски гудачки квартет као потврда Мокрањчевих афинитета према камерној музици / Belgrade String Quartet as a Confirmation of Mokranjac's Affinities for the Chamber Music
(Неготин : Дом културе Стеван Мокрањац, 2018)
У раду се разматра Мокрањчев, често маргинализован допринос инструменталном, односно камерном музичком подручју, за које је Стеван Мокрањац показивао интересовање (уз повремене прекиде) током читавог живота. Стога се ...
New age in Serbia, Zoran Simjanović: New ideas symphony / New age u našem prostoru, Zoran Simjanović - New ideas symphony
(Музикологија / Musicology, 2007)
'New age' was a trend which appeared in the music of the 1980's, bringing a new dimension to art music in general, especially in its reception. At first its development was stimulated by technological inventions, 'the ...
'Exoticism' in the opera Gilgamesh by Rudolf Brucci in Ralph Locke's 'All the music in the full context' paradigm / 'Egzotičnost' opere Gilgameš Rudolfa Bručija u paradigmi 'Muzika u celokupnom kontekstu' Ralfa Loka
(Музикологија / Musicology, 2013)
In this text, Rudolf Brucci's opera Gilgamesh is viewed in the light of Ralph Locke's 'All the Music in the Full Context' Paradigm which promotes the approach that one should search for the exotic elements in musical works ...
Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role / Starija srpska muzička kritika - kanon, postupak, prosvetiteljska tendencija
(Музикологија / Musicology, 2008)
Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine ...
The importance and role of correspondence in researching the personality and work of Milenko Paunović / Značaj i uloga prepiske u osvetljavanju ličnosti i stvaralaštva Milenka Paunovića
(Музикологија / Musicology, 2002)
The correspondence of the composer and writer Milenko Paunović (1889-1924) has a great role in revealing different aspects of his life, work and mind. Nearly 100 letters are preserved, most of which belong to his correspondence ...
Музички фестивали као одраз културне политике током Хладног рата : од Варшавске јесени до Музичког бијенала Загреб / Music Festivals as a Reflection of Cultural Policy During the Cold War : from Warsaw Autumn to Zagreb Music Biennale
(Београд : Завод за проучавање културног развитка, 2019)
У раду се размaтра утицај политичких промена на културно-уметнички живот Пољске и Југославије средином прошлог века. Након периода соцреализма, као водећег уметничког правца, у обе земље је отпочета тежња ка деетатизацији ...
Bulgarian wedding music between folk and chalg: Politics, markets and current directions / Bugarska svadbarska muzika između folka i čalge - politika, tržište i današnje usmerenje
(Музикологија / Musicology, 2007)
This article investigates the performative relationship among folklore, the market, and the state through an analysis of the politics of Bulgarian wedding music. In the socialist period wedding music was condemned by the ...
Reflections on music and identity in Ethnomusicology / Razmatranja o muzici i identitetu u časopisu Etnomuzikologija
(Музикологија / Musicology, 2007)
The relationship between music and identity became a commonplace theme in ethnomusicology beginning in the early 1980s. This article surveys all 17 articles published in the journal Ethnomusicology in the last 25 years ...
Dr. Nele Karajlić in the Framework of the “New Primitives” / Др Неле Карајлић у оквиру „новог примитивизма”
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The “New Primitives” is an alternative, and later, a cultural movement that emerged
in Sarajevo in the late 1970s and early 1980s; the movement officially ceased to
exist in 1987. The most substantial cultural capital ...
On the (in)completeness of Schoenberg's oratorio die Jakobsleiter / O (ne)završenosti Šenbergovog oratorijuma Die Jakobsleiter
(Музикологија / Musicology, 2009)
The question why Arnold Schoenberg did not complete his oratorio Die Jakobsleiter according to his initial plan, but instead decided to set to music only the text from the first part of the work and to compose the Great ...