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Новe културално-фестивалскe перспективe у Хрватској и Србији као резултат друштвено-политичке трансформације музичког фестивала у СФРЈ (Од Југославенске музичке трибине, преко Трибине музичког стваралаштва Југославије, до Глазбене трибине Опатија/Међународне глазбене трибине и Међународне трибине композитора)
(Београд : Факултет музичке уметности, 2018)
The subject of this paper is the relation between the music festival as social event and circumstances in the context of the Yugoslav political regime. I tried to demonstrate strong relation of the music life and the ...
Institute of Musicology, Serbian Academy of Sciences and Arts (1948-2010) / Muzikološki institut Srpske akademije nauka i umetnosti (1948-2010)
(Музикологија / Musicology, 2010)
The article gives an overview of the early days of the Institute, then proceeds to explain the development of the research projects, the further education of research members of the Institute and finally the results of the ...
Ethnomusicological Researches in Šumadija
(Brčko : Association for Fostering of the Serb Cultural- Historical Heritage Baštinar, 2007)
Šumadija is nowadays defined as a geographical area in central Serbia, between the rivers Sava and Danube in the north, Velika Morava in the cast, Zapadna Morava in the south, Kolubara in the west and the Kamenica - Čemernica ...
Questioning the Possibility of Revitalising Traditional Rural Songs in Topola, Serbia
(Newcastle upon Tyne : Cambridge Scholars Press, 2010)
This chapter will explore the possibility of reviving the Serbian musical tradition in the city of Topola in Šumadija, Serbia’s central region. I will draw upon a singing workshop that I gave to, and that informed a field ...
Annual concerts of cultural-artistic associations in Serbia : the clash of two different Concepts of professionalization
(Belgrade : Faculty of Music, 2016)
In this paper two concepts of professionalization are observed within a unique cultural context: the annual concept of the cultural-artistic society (KUD) in a small town in central Serbia. It is about the conception 1) ...
The politics of power, pleasure and prayer in the Eurovision Song Contest / Politika moći, zadovoljstva i molitve u takmičenju za 'Pesmu Evrovizije'
(Музикологија / Musicology, 2007)
Since the first annual Eurovision Song Contest in 1956, politics and popularity have intersected to influence the ways in which Eurovision songs have reflected the complex forms of European nationalism. With the Eurovision ...
Друштвена улога салонске музике у животу и систему вредности српског грађанства у 19. веку / The Social Role of the Salon Music in the Life and the Value System of the Serbian Citizens in the 19 Century
(Београд : Музиколошки институт Српске академије наука и уметности, 2014)
Истраживање српске салонске музике 19. века започето је радом на магистарској тези Игре и маршеви у српској клавирској музици 19. века. Културна повезаност у јавном и приватном животу. Игре и маршеви представљају парадигматичне ...
Integration and disintegration: Serbian monophony in a polyphonic context / Integracija i dezintegracija - srpski jednoglas u kontekstu višeglasa
(Музикологија / Musicology, 2011)
The venerable arguments concerning the validity of harmonized music in the Orthodox Church continue. Serbia is unique in that the codifiers of the monophonic repertoire (in particular Stankoviš and Mokranjac) were also the ...
Прилози биографском речнику српских музичара / Contributions aux biographies des musiciens Serbes
(Београд : Научна књига, 1950)
„Прилози биографском речнику" Владимира Р. Ђорђевића претстављају плод дугогодишњег брижљивог рада овог аутора, првог међу српским музичарима који се заинтересовао за домаћу музичку прошлост. Пишчева првобитна намера била ...
Rural musical culture of migrants from Dinaric regions settled in central Serbia
(Braşov : ‘Henri Coandă’ Air Force Academy Publishing House, 2016)
Specific culture of the inhabitants of the Dinaric mountains region in the Western Balkans has already been observed primarily by ethnographers, antropogeographers and historians, and in recent times also by ethnomusicologists. ...