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Ivana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
Marija Vitas: Sephardim – the Thread of the Mediterranean, Production of Thematic Channels of Radio Belgrade, RTS, Serbia
(Podgaj : INSAM Institute for Contemporary Artistic Music, 2021)
Non-profit association COPEAM, dedicated to the promotion of dialogue and cultural integration in the Mediterranean region, which has operational headquarters in Rome at the offices of the Italian Radio and Television ...
Process in the aesthetical and theoretical thought of Karlheinz Stockhausen
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Process is the key aspect of Karlheinz Stockhausen’s (1928–2007) musical discourse. In this paper, I aim to present the composer’s understanding of the word process and mark the place that this word has in the aesthetical ...
Rebecca Jane Bennet and Angela Cresswell Jones (Eds.), The Digital Evolution of Live Music. Kidlington, Chandos Publishing, Elsevier, 2015, 143 pp. ISBN 978-0-08-100067-0
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Dream Master: Conversation with Vladan Radovanović
(INSAM Journal of Contemporary Music, Art and Technology, 2020)
ERNŐ KIRÁLY – LIFE IN MUSIC, Interdisciplinary Conference with International Participation, Academy of Arts, Novi Sad, September 27–28 2019.
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2019)
Nina Sun Eidsheim and Katherine Meizel (Eds.), The Oxford Handbook of Voice Studies, Oxford: Oxford University Press, 2019.
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
In 2019 the field of voice studies was greatly enriched by the publication of The Oxford Handbook of Voice Studies, edited by Nina Sun Eidsheim and Katherine Meizel. This publication not only collected chapters written by ...
"Collaboration, at its Heart, isn't about Control": Interview with Sougwen Chung
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)
In this interview, Sougwen Chung speaks about the poetics of her collaboration with robotic systems, as well as the development of D.O.U.G. and her latest projects.
“Human vs. Machine” Divide is a False Dichotomy: Interview with Dr. Kelly Snook
(INSAM Journal of Contemporary Music, Art and Technology, 2020)
"The Most Important Role Performer Can Take On Is To Promote New Music": Interview with Nataša Penezić
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Interview with pianist Nataša Penezić