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      Наслови
      Al niente: The last opus of Vasilije Mokranjac: After a quarter of a century [1]
      Aleksandar Damnjanović - sa Istoka na Zapad [1]
      Alexandre Damnianovitch: De l'orient à l'occident [1]
      Alfons Dipenbrok i svet kompozitora fin-de-siècle-a [1]
      Alfred Schnittke's Operas from the 1990s in the Context of Trauma Studies [1]
      Alfred Schnittke: Künstlerische Identität oder (Post) moderne Mythologie? [1]
      Alfred Schnittke’s Concerto Grosso No. 1. By Peter J. Schmelz. Pp. xiii þ 162. Oxford Keynotes. (Oxford University Press, New York and Oxford, 2019. »10.99. ISBN 978-0-19-065372-9.) [1]
      Alfred Šnitke - umetnički identitet ili (post) moderna mitologija? [1]
      Alienation, escapism and a search for spiritual grounding: Yugoslav youth’s turning away from the dominant social values and ‘legitimate culture’ [1]
      All-Slavic Idea Within the Association of Musicians of the Kingdom of SCS/Yugoslavia in the 1920s: Initiatives, Activities, Results [1]
      Allies in Music: French Influences and Role Models in the Cvijeta Zuzorić Association of Friends of Arts [1]
      Alphons Diepenbrock and the European world of composers at the fin-de-siècle [1]
      America is another world: Conversation with composer Nataša Bogojević [1]
      Amerika je drugi svet - razgovor sa kompozitorkom Natašom Bogojević [1]
      An Apple on the Moon: Karlheinz Stockhausen's "Telemusik" [1]
      An enigmatic hymn for saint Petka-Paraskeva: The canon and its interpretation in the thematic replacement of chants [1]
      An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo [1]
      An Innovative and Authentic Artist: Vladan Radovanović [1]
      An unintended dialogue between 'materialists' and 'idealists': The essays on west European art music in the 'Zvuk' magazine (1932-1936) [1]
      Ana Hofman: Staging socialist femininity: Gender politics and folklore performance in Serbia, Brill, Leiden - Boston, 2011 [1]