Now showing items 62-81 of 1534

      Al niente: The last opus of Vasilije Mokranjac: After a quarter of a century [1]
      Aleksandar Damnjanović - sa Istoka na Zapad [1]
      Alexandre Damnianovitch: De l'orient à l'occident [1]
      Alfons Dipenbrok i svet kompozitora fin-de-siècle-a [1]
      Alfred Schnittke: Künstlerische Identität oder (Post) moderne Mythologie? [1]
      Alfred Šnitke - umetnički identitet ili (post) moderna mitologija? [1]
      All-Slavic Idea Within the Association of Musicians of the Kingdom of SCS/Yugoslavia in the 1920s: Initiatives, Activities, Results [1]
      Allies in Music: French Influences and Role Models in the Cvijeta Zuzorić Association of Friends of Arts [1]
      Alphons Diepenbrock and the European world of composers at the fin-de-siècle [1]
      America is another world: Conversation with composer Nataša Bogojević [1]
      Amerika je drugi svet - razgovor sa kompozitorkom Natašom Bogojević [1]
      An Apple on the Moon: Karlheinz Stockhausen's "Telemusik" [1]
      An enigmatic hymn for saint Petka-Paraskeva: The canon and its interpretation in the thematic replacement of chants [1]
      An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo [1]
      An unintended dialogue between 'materialists' and 'idealists': The essays on west European art music in the 'Zvuk' magazine (1932-1936) [1]
      Ana Hofman: Staging socialist femininity: Gender politics and folklore performance in Serbia, Brill, Leiden - Boston, 2011 [1]
      Analiza ritma policijske krajine: obljuba ekološkega preobrata v praksi študija zvočnih krajin [1]
      Analytical and Cross-Cultural Studies in World Music, Michael Tenzer, John Roeder (ур), Oxford University Press, 2011, стp. Х+461 [1]
      Ancient Greek Mythology Mediated by Latin Culture: on Vlastimir Trajković's Arion and Zephyrus Returns [1]
      Ancient Greek rhythms in Messiaen’s Le sacre: Nietzsche’s legacy? [1]