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      Écoutant la musique de Pan: Regarding the Ontological Horizons of ʻPause’ in Claude Debussy’s Syrinx [1]
      Écoutant la musique de Pan: о онтолошком потенцијалу ʻпаузе’ у Дебисијевом делу Сиринкс [1]
      Éléments d’humour musical dans l’opéra Mandragola d’Ivan Jevtić [1]
      Évolution historique des instruments à archet [1]
      Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice [1]
      Female Vocal Group “Moba”: Traditional Rural Songs and Their Sounding Today [1]
      Festival srpskog podzemlja: muzička scena „u malom“ [2]
      Festivals with conferences and experience-driven culture as "consequences" of digital environment [1]
      Filip Višnjić: A Guslar from the Shadow of a Poet [1]
      Floating Images of Yugoslavism on the Pages of Family Music Albums [1]
      Folk Music of Vranje [1]
      Folklore Motives in the Early Compositions of Nikola Borota – Radovan [1]
      Following the Black Spiral: Old Voices, New Life (Towards the History of the Early Commercial Gramophone Records in Bulgaria) [1]
      Following the Records of Theophylact Simocata [1]
      Fond kompozitorskih zaostavština u Muzikološkom institutu SANU [1]
      Fono zbirka Muzikološkog instituta SANU [1]
      Fonoarhiv dr Dragoslava Devića - Srpska vokalna tradicija I, Balkansko kulturno nasleđe, 2015 [1]
      For the ‘Pure’ National and High-Art Values: Music Production and Performance in the Kingdom of Serbia (1882-1914) [1]
      For the ‛Authentic’ National and Aesthetic Values: The Challenges of Music Production and Performance in the Kingdom of Serbia (1882–1914) [1]
      Foreign Music in Belgrade Between the World Wars: Reception in the Herald of the Stanković Music Society / Music Herald [1]