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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
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Наслови
Contemporary Popular Music Studies
[1]
Contemporary Strategies of Music Festivals: Rossi Fest from Belgrade
[1]
Contemporary Urban Folk Music in the Balkans: Possibilities for Regional Music History
[1]
Contextualization of early modernism in Serbian music: Case studies of two works from 1912
[1]
Contribution of Czech Musicians to the Serbian Music in the 19th Century
[1]
Contribution of Ljubica and Danica Janković to Establishment of Ethnochoreology in Serbia as an Academic Scholarly Discipline
[1]
Contribution of performance studies to regional popular music research: “Tamburica Fest” as performance
[1]
Contribution of Petar Krancevic to the Work of Serbian Church Singing Society in Sremska Mitrovica
[1]
Contribution of the Yugoslav Sokol organizations to the interwar sphere of music
[1]
Contributions aux biographies des musiciens Serbes
[1]
Corporeality and Dance in the Music of Igor Stravinsky
[1]
Cowdery James R., Zdravko Blažeković, Barry S. Brook (ed): Speaking of music: Music conferences, 1835-1966, RILM, New York, 2004
[1]
Creating Haydn’s Sonatas at the Keyboard – Performer Rights and Responsibilities in Historical Performance
[1]
Creating New Representations of Yugoslav national Territory: Dragutin Gostuški's Symphonic Poem Belgrade
[1]
Creating the repertoire of the Opera of the National Theatre in Belgrade (1970-1990)
[1]
Creating the repertoire of the Opera of the National Theatre in Belgrade (1970–1990)
[1]
Creativity and Ownership: Protection of Rights in Musical Works in the European Union From Digitisation to Artificial Intelligence
[1]
Crisis Concealing Light
[1]
Criteria of ‘Аuthenticity’ in Traditional Georgian Musical Performance
[1]
Critical Views of Branko Dragutinović
[1]
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