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Now showing items 268-287 of 1509

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      Festival srpskog podzemlja: muzička scena „u malom“ [2]
      Festivals with conferences and experience-driven culture as "consequences" of digital environment [1]
      Filip Višnjić: A Guslar from the Shadow of a Poet [1]
      Floating Images of Yugoslavism on the Pages of Family Music Albums [1]
      Folklore Motives in the Early Compositions of Nikola Borota – Radovan [1]
      Following the Records of Theophylact Simocata [1]
      Fond kompozitorskih zaostavština u Muzikološkom institutu SANU [1]
      Fono zbirka Muzikološkog instituta SANU [1]
      Fonoarhiv dr Dragoslava Devića - Srpska vokalna tradicija I, Balkansko kulturno nasleđe, 2015 [1]
      Forming Science of Music in Writings of Aristoxenus of Tarentum [1]
      Francuska muzika u međuratnom periodu [1]
      From communism to capitalism via the wars: The landscape of Serbian music 1985-2005 [1]
      From great expectations to great disappointments: Petar Krstić’s contribution to the process of reforms of music education in interwar Yugoslavia (1918–1921) [1]
      From modernism to socialist realism in four years: Myaskovsky and Asafyev [1]
      From Myth to Reality: Stevan Stojanović Mokranjac and Serbian Church Music [1]
      From Pain to Pleasure: The Troping of Elegy in the Renaissance Italian Madrigal [1]
      From Polystylism to Meta-Pluralism: Essays on Late Soviet Symphonic Music [1]
      From the Autonomy of Art to the Emancipation of National Identities : Aesthetic or Political Ideas of Branko Lazarević in the "20th Century Journal" [1]
      From the Autonomy of Art to the Emancipation of National Identities: Aesthetic or Political Ideas of Branko Lazarević in the 20th Century Journal [1]
      From the Hilandar’s chanters’ treasury - Vikentije monk from Hilandar monastery, Art print, Novi Sad, 2003 [1]