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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
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Festival srpskog podzemlja: muzička scena „u malom“
[2]
Festivals with conferences and experience-driven culture as "consequences" of digital environment
[1]
Filip Višnjić: A Guslar from the Shadow of a Poet
[1]
Floating Images of Yugoslavism on the Pages of Family Music Albums
[1]
Folklore Motives in the Early Compositions of Nikola Borota – Radovan
[1]
Following the Records of Theophylact Simocata
[1]
Fond kompozitorskih zaostavština u Muzikološkom institutu SANU
[1]
Fono zbirka Muzikološkog instituta SANU
[1]
Fonoarhiv dr Dragoslava Devića - Srpska vokalna tradicija I, Balkansko kulturno nasleđe, 2015
[1]
Forming Science of Music in Writings of Aristoxenus of Tarentum
[1]
Francuska muzika u međuratnom periodu
[1]
From communism to capitalism via the wars: The landscape of Serbian music 1985-2005
[1]
From great expectations to great disappointments: Petar Krstić’s contribution to the process of reforms of music education in interwar Yugoslavia (1918–1921)
[1]
From modernism to socialist realism in four years: Myaskovsky and Asafyev
[1]
From Myth to Reality: Stevan Stojanović Mokranjac and Serbian Church Music
[1]
From Pain to Pleasure: The Troping of Elegy in the Renaissance Italian Madrigal
[1]
From Polystylism to Meta-Pluralism: Essays on Late Soviet Symphonic Music
[1]
From the Autonomy of Art to the Emancipation of National Identities : Aesthetic or Political Ideas of Branko Lazarević in the "20th Century Journal"
[1]
From the Autonomy of Art to the Emancipation of National Identities: Aesthetic or Political Ideas of Branko Lazarević in the 20th Century Journal
[1]
From the Hilandar’s chanters’ treasury - Vikentije monk from Hilandar monastery, Art print, Novi Sad, 2003
[1]
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