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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
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Early Symphonies of Carl Stamitz Seen through the Prism of Style Reflections in Second Half of Eighteenth Century
[1]
Early Ukrainian-Belarusian-Polish Traditional Melo-Massif: Interethnic Wedding Macro-Areas
[1]
Eastern naturalness versus western artificiality: Rimsky Korsakov's influence on Manoles Kalomoires' early operas
[1]
Echoes of a Distant Past: Serbian Piano Music Inspired by the Orthodox Tradition
[1]
Editions of Classical Music in PGP-RTB/PGP-RTS: licensed editions
[1]
Editions of Classical Music in PGP-RTS
[1]
Eight Modes of Znamenny Chant
[1]
Ekonomski modeli i žanr muzičke komedije u Srbiji i Francuskoj od 2005. godine
[1]
Eksperimentalni glas - savremena teorija i praksa
[1]
Ekstrovert i mizantrop: komparativna analiza virtuoznih aspekata i uticaja ličnosti u „Klavirskom knocertu br. 1“ u Es-duru Franca Lista i Alkanovog „Koncerta za solo klavir“
[1]
Elementi modernizma u gudačkim kvartetima Josipa Slavenskog
[1]
Elements of Modernism in String Quartets by Josip Slavenski
[1]
Emergence of Ethnochoreology Internationally: The Janković sisters, Maud Karpeles, and Gertrude Kurath
[1]
Emerik Beran (1868-1940): The lonely cosmopolitan
[1]
Engagement in musical criticism: Pavle Stefanović’s texts in the Music Herald (1938–1940)
[1]
Entre avant-garde et trans-avant-garde: Sur quelques oeuvres de László Dubrovay des années 1980
[1]
Erhaltene einstimmige Aufzeichnungen des serbischen kirchlichen Volksgesangsaus der Feder des Kornelije Stanković
[1]
ERNŐ KIRÁLY – LIFE IN MUSIC, Interdisciplinary Conference with International Participation, Academy of Arts, Novi Sad, September 27–28 2019.
[1]
Etape modernizma u srpskoj muzici
[1]
Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player
[1]
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