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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
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Can music progress?: Reflections on the history of popular music
[1]
Can We Hear the Sounds of Quantum Superpositions?
[1]
Caractéristiques des œuvres pour piano d’Ivan Jevtić
[1]
Carnal encounters and producing socialist Yugoslavia: voluntary youth labour actions on the newsreel screen
[1]
Castor et Pollux by Jean-Philippe Rameau in the light of diferences between the two versions of the opera (1737, 1754)
[1]
Catherine II’s The Early Reign of Oleg: Sarti, Canobbio and Pashkevich Working Towards an Ideal
[1]
Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins
[1]
Central Rotation of Regular (and Irregular) Musical Poligons
[1]
Chanting of the Inner Space: On Symphonic and Concertante Works by Milorad Marinković
[1]
Chants in Honour of the Great Martyr Prince Lazar of Serbia in the Old Russian Notated Manuscripts
[1]
Children’s Rhythmical System in Songs of Serbian Vocal Heritage
[1]
Christian Troelsgård: Byzantine Neumes, a New Introduction to the Middle Byzantine Musical Notation Subsidia, vol. IX, Monumenta Musicae Byzantinae, Copenhagen: Museum Tusculanum Press 2011
[1]
Chromaticism: A theoretical construction or a practical transformation?
[1]
Church Music : Ectoechos
[1]
Church Music in the Light of National Legislation in the Principality of Serbia and the Kingdom of Serbia
[1]
Collection of the Photographs in the Archive of The Institute of Musicology SASA
[1]
Common scale features of the recent Greek and Serbian church chant traditions
[1]
Communication and analogies between music and image: Dragutin Gostuški's theory of screen
[1]
Communion songs not regulated by the typicon in the recent tradition of Serbian church singing
[1]
Communist Ideology and Academic Education. A Case Study: World Music History as a Subject in Romanian Universities, 1948-2014
[1]
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